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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    454 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 271 matching records exist across the two collections.

Results for "Inlay, circular cane floral section"12 records

Institutions answered newest-first by record, interleaved

Drawn out cane with rosette design by an unrecorded maker, The Metropolitan Museum of Art

Drawn out cane with rosette design

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay / bead blank, floral design by an unrecorded maker, The Metropolitan Museum of Art

Inlay / bead blank, floral design

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay / bead blank, section of circular floral cane by an unrecorded maker, The Metropolitan Museum of Art

Inlay / bead blank, section of circular floral cane

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, palmette by an unrecorded maker, The Metropolitan Museum of Art

Inlay, palmette

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, palmette by an unrecorded maker, The Metropolitan Museum of Art

Inlay, palmette

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, rosette by an unrecorded maker, The Metropolitan Museum of Art

Inlay, rosette

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay fragment, feather(?) design by an unrecorded maker, The Metropolitan Museum of Art

Inlay fragment, feather(?) design

Unrecorded maker

ca. 1st–3rd century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay fragment, net design by an unrecorded maker, The Metropolitan Museum of Art

Inlay fragment, net design

Unrecorded maker

ca. 1st–3rd century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay, square, floral design by an unrecorded maker, The Metropolitan Museum of Art

Inlay, square, floral design

Unrecorded maker

ca. 1st–3rd century CE · Mosaic glass

Cleared · Public Domain

live
The MetSimilar
Inlay, square, floral design by an unrecorded maker, The Metropolitan Museum of Art

Inlay, square, floral design

Unrecorded maker

ca. 1st–3rd century CE · Mosaic glass

Cleared · Public Domain

live
The MetSimilar
Inlay, millefiori by an unrecorded maker, The Metropolitan Museum of Art

Inlay, millefiori

Unrecorded maker

30 BCE–364 CE · Glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inlay, circular cane floral section

Unrecorded maker

100 BCE–100 CE · Mosaic glass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.