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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    327 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    449 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 62 matching records exist across the two collections.

Results for "Inlay for a Mirror or Box: Lady on a Bir"12 records

Institutions answered newest-first by record, interleaved

Champlevé furniture or cosmetic box plaque with a griffin and a floral frieze by an unrecorded maker, The Metropolitan Museum of Art

Champlevé furniture or cosmetic box plaque with a griffin and a floral frieze

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Champlevé furniture or cosmetic box plaque with a winged youth by an unrecorded maker, The Metropolitan Museum of Art

Champlevé furniture or cosmetic box plaque with a winged youth

Unrecorded maker

ca. 8th–7th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Marquetry Box for Weighing Scales by an unrecorded maker, The Metropolitan Museum of Art

Marquetry Box for Weighing Scales

Unrecorded maker

15th century · Wood; inlaid with bone, metal, and pigment

Cleared · Public Domain

live
The MetSimilar
Patch box by an unrecorded maker, The Metropolitan Museum of Art

Patch box

Unrecorded maker

1750s · Enamel on copper; mirror glass

Cleared · Public Domain

live
The MetSimilar
Patch box by an unrecorded maker, The Metropolitan Museum of Art

Patch box

Unrecorded maker

ca. 1770 · Enamel on copper, mirror glass

Cleared · Public Domain

live
The MetSimilar
Patch box by an unrecorded maker, The Metropolitan Museum of Art

Patch box

Unrecorded maker

ca. 1770 · Enamel on copper, mirror glass

Cleared · Public Domain

live
The MetSimilar
Patch box by an unrecorded maker, The Metropolitan Museum of Art

Patch box

Unrecorded maker

ca. 1770 · Enamel on copper; mirror glass

Cleared · Public Domain

live
The MetSimilar
Patch Box with Cupid, “Let groveling minds / For gold contend / For virtuous love / I am a Friend.” by an unrecorded maker, The Metropolitan Museum of Art

Patch Box with Cupid, “Let groveling minds / For gold contend / For virtuous love / I am a Friend.”

Unrecorded maker

ca. 1770 · Enamel on copper; mirror glass

Cleared · Public Domain

live
The MetSimilar
Box by Pierre Blanchard, The Metropolitan Museum of Art

Box

Pierre Blanchard (d. 1825)

1775–81 · Gold

Cleared · Public Domain

live
The MetSimilar
Patch box by an unrecorded maker, The Metropolitan Museum of Art

Patch box

Unrecorded maker

ca.1780–90 · Enamel on copper; mirror glass

Cleared · Public Domain

live
The MetSimilar
Patch box by an unrecorded maker, The Metropolitan Museum of Art

Patch box

Unrecorded maker

ca. 1780–90 · Enamel on copper; mirror glass

Cleared · Public Domain

live
The MetSimilar
Patch Box "A Trifle from New York" by an unrecorded maker, The Metropolitan Museum of Art

Patch Box "A Trifle from New York"

Unrecorded maker

ca. 1780–90 · Enamel on copper; mirror glass

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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