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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    261 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    390 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,017 matching records exist across the two collections.

Results for "Inlay of a Royal Head"12 records

Institutions answered newest-first by record, interleaved

Lower part of a royal head by an unrecorded maker, The Metropolitan Museum of Art

Lower part of a royal head

Unrecorded maker

ca. 1347–1330 BCE · Red quartzite

Cleared · Public Domain

live
The MetSimilar
Inlay:  Head of a King by an unrecorded maker, The Cleveland Museum of Art

Inlay: Head of a King

Unrecorded maker

380–246 BCE · Glyptic, red jasper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tile Inlay of a Torso by an unrecorded maker, The Metropolitan Museum of Art

Tile Inlay of a Torso

Unrecorded maker

ca. 1290–1224 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Uraeus (Rearing Cobra) by an unrecorded maker, The Cleveland Museum of Art

Uraeus (Rearing Cobra)

Unrecorded maker

1307–1196 BCE · Metalwork, Silver-copper alloy with inlays (copper, feldspar, turquoise, obsidian?) and gilding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Royal Head, Probably Apries by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Royal Head, Probably Apries

Unrecorded maker

589–570 BCE · Black diorite

Cleared · Public Domain

live
The MetSimilar
Head of King Amasis, reworked for a non-royal individual by an unrecorded maker, The Metropolitan Museum of Art

Head of King Amasis, reworked for a non-royal individual

Unrecorded maker

570–526 BCE · Greywacke

Cleared · Public Domain

live
The MetSimilar
Inlay of a squatting goddess, probably Hathor by an unrecorded maker, The Metropolitan Museum of Art

Inlay of a squatting goddess, probably Hathor

Unrecorded maker

4th century BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Inlay profile head by an unrecorded maker, The Metropolitan Museum of Art

Inlay profile head

Unrecorded maker

400–30 BCE · Glass

Cleared · Public Domain

live
The MetSimilar
Inlay profile head by an unrecorded maker, The Metropolitan Museum of Art

Inlay profile head

Unrecorded maker

500–30 BCE · Jasper?

Cleared · Public Domain

live
The MetSimilar
Inlay, part of head by an unrecorded maker, The Metropolitan Museum of Art

Inlay, part of head

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head of a royal statue

Unrecorded maker

ca. 1550–1080 BCE · Schist

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Foreigner's Head Inlay

Unrecorded maker

ca. 1300–1080 BCE · Faience

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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