
Inlay: male torso
Unrecorded maker
ca. 2600–2500 BCE · Shell
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1179 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15,900 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Inlay: male torso
Unrecorded maker
ca. 2600–2500 BCE · Shell
Cleared · Public Domain
live
Kneeling Male Figure
Unrecorded maker
1010–80 · Sculpture, bronze
Cleared · CC0
live
Male Figure
Valdivia artist(s)
3000 BCE · Ceramic
Cleared · Public Domain
live
Athlete or Apollo
Unrecorded maker
probably 100–1 BCE · Sculpture, bronze with silver inlays
Cleared · CC0
live
Upper part of a male figure
Unrecorded maker
ca. 2051–2000 B.C. · Limestone, paint
Cleared · Public Domain
live
Vajravarahi
Unrecorded maker
1300s · Sculpture, gilt bronze with turquoise inlay
Cleared · CC0
live
Head of a male figure
Unrecorded maker
ca. 8th–7th century BCE · Ivory
Cleared · Public Domain
live
Male Figure
Unrecorded maker
500 BCE–250 CE · Ceramic
Cleared · Public Domain
live
Tiki (male figure)
Mangarevan artist
Early 19th century · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inlay of a male figure
Unrecorded maker
570–30 BCE · Glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inlay of a male figure
Unrecorded maker
570–30 BCE · Glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jomogoni male figure
Bamana numu (blacksmith)
15th–17th century · Wood, mud
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.