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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1179 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15,900 matching records exist across the two collections.

Results for "Inlay of a male figure"12 records

Institutions answered newest-first by record, interleaved

Inlay: male torso by an unrecorded maker, The Metropolitan Museum of Art

Inlay: male torso

Unrecorded maker

ca. 2600–2500 BCE · Shell

Cleared · Public Domain

live
The MetSimilar
Kneeling Male Figure by an unrecorded maker, The Cleveland Museum of Art

Kneeling Male Figure

Unrecorded maker

1010–80 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Male Figure by Valdivia artist(s), The Metropolitan Museum of Art

Male Figure

Valdivia artist(s)

3000 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Athlete or Apollo by an unrecorded maker, The Cleveland Museum of Art

Athlete or Apollo

Unrecorded maker

probably 100–1 BCE · Sculpture, bronze with silver inlays

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Upper part of a male figure by an unrecorded maker, The Metropolitan Museum of Art

Upper part of a male figure

Unrecorded maker

ca. 2051–2000 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Vajravarahi by an unrecorded maker, The Cleveland Museum of Art

Vajravarahi

Unrecorded maker

1300s · Sculpture, gilt bronze with turquoise inlay

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a male figure by an unrecorded maker, The Metropolitan Museum of Art

Head of a male figure

Unrecorded maker

ca. 8th–7th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Male Figure by an unrecorded maker, The Metropolitan Museum of Art

Male Figure

Unrecorded maker

500 BCE–250 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Tiki (male figure) by Mangarevan artist, The Metropolitan Museum of Art

Tiki (male figure)

Mangarevan artist

Early 19th century · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inlay of a male figure

Unrecorded maker

570–30 BCE · Glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inlay of a male figure

Unrecorded maker

570–30 BCE · Glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jomogoni male figure

Bamana numu (blacksmith)

15th–17th century · Wood, mud

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.