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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    214 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    635 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Inner Coffin Inscribed for Tabakmut"9 records

Institutions answered newest-first by record, interleaved

Miniature Ointment jar by an unrecorded maker, The Metropolitan Museum of Art

Miniature Ointment jar

Unrecorded maker

ca. 1850–1775 B.C. · Travertine (Egyptian alabaster)

Cleared · Public Domain

live
The MetSimilar
Inner Coffin Inscribed for Ankhesmut (used by Nesitaset) by an unrecorded maker, The Metropolitan Museum of Art

Inner Coffin Inscribed for Ankhesmut (used by Nesitaset)

Unrecorded maker

ca. 969–945 BCE · Wood, paint, paste

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inner Coffin of the Singer of Amun and Royal Daughter Nauny

Unrecorded maker

ca. 1050 BCE · Coniferous wood, Sycomore wood, mud, glue, paste paint, varnish, linen

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inner Coffin Inscribed for Tabakmut

Unrecorded maker

ca. 1000–945 BCE · Wood, paint, paste

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inner Coffin of Itamun, inscribed for Nesiamun

Unrecorded maker

ca. 1000–945 BCE · Wood, paste, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mummy Board of Tabakmut

Unrecorded maker

ca. 1000–945 BCE · Wood, paint, paste

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mummy Board used by Itamun, inscribed for Nesiamun

Unrecorded maker

ca. 1000–945 BCE · Wood, paste, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Outer Coffin Inscribed for Tabakmut

Unrecorded maker

ca. 1000–945 BCE · Wood, paint, paste

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Outer Coffin of the General's Charioteer, Itamun

Unrecorded maker

ca. 1150–1000 BCE · Wood, paste, paint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.