Funerary Stele with Ankh (Looped Cross) Featuring a Human Face at the Center
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
234 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
6 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 39 matching records exist across the two collections.
Results for "Inscribed Stele with a Cross at Center o"12 records
Institutions answered newest-first by record, interleaved
Funerary Stele with Cross at Center in Architectural Frame
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
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Funerary Stele with Cross Medallion below Eagle at Center in Architectural Frame
Unrecorded maker
6th–7th century · Limestone
Cleared · Public Domain
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Inscribed Stele with a Cross at Center of Architectural Frame
Unrecorded maker
6th–7th century · Limestone; carved in relief
Cleared · Public Domain
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Hanging Lamp with a Hand Holding a Cross
Unrecorded maker
made 500–700, restored and possibly reconfigured 1900s · Copper alloy
Cleared · Public Domain
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Funerary Stele with Two Lions and Circle Pattern within a Niche
Unrecorded maker
7th–8th century · Limestone; carved in relief
Cleared · Public Domain
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The Bodhisattva Monju (Manjushri) with Five Topknots
Unrecorded maker
13th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
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Yäʿğğ mäsqäl (hand cross)
Northern Highlands artist
18th century · Wood, metal
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hands Etching–Ô Laborum
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; third state of three (Harrington); seventh state of seven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hands Etching–Ô Laborum (Les Main qui Gravent)
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; second state of three (Harrington); sixth state of seven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hands Etching–Ô Laborum (Les Mains Qui Gravent)
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; between trial proof c and second state of three (Harrington); fifth state of seven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hands Etching–Ô Laborum (Les Mains Qui Gravent)
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; first state of three (Harrington); third state of seven (Schneiderman)
In copyright
liveThe MetSimilar
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