Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    423 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 414 matching records exist across the two collections.

Results for "Inscription Plaque, Possibly from a Door"12 records

Institutions answered newest-first by record, interleaved

Marble plaque with funerary inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble plaque with funerary inscription

Unrecorded maker

1st–2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Inscription Plaque, Possibly from a Door by an unrecorded maker, The Cleveland Museum of Art

Inscription Plaque, Possibly from a Door

Unrecorded maker

c. 1693 · Metalwork, forged steel, cut to shape and pierced

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Finial, Possibly from a Cenotaph by an unrecorded maker, The Metropolitan Museum of Art

Finial, Possibly from a Cenotaph

Unrecorded maker

late 14th–16th century · Wood; turned and carved with traces of later paint and gilding

Cleared · Public Domain

live
The MetSimilar
Tabernacle door with the risen Christ by Pietro Paolo Nardi, The Metropolitan Museum of Art

Tabernacle door with the risen Christ

Pietro Paolo Nardi

mid-17th century · Bronze, fire-gilt; iron (lock mechanism)

Cleared · Public Domain

live
The MetSimilar
Plaque with a Dutch landscape, possibly a view of Kethel by Frederick van Frijtom, The Metropolitan Museum of Art

Plaque with a Dutch landscape, possibly a view of Kethel

Frederick van Frijtom (d. 1702)

ca. 1660–92 · Tin-glazed earthenware

Cleared · Public Domain

live
The MetSimilar
Plaque by an unrecorded maker, The Metropolitan Museum of Art

Plaque

Unrecorded maker

17th century · Steel; cut

Cleared · Public Domain

live
The MetSimilar
Design for a Door and Stucco Overdoor Decorations by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Door and Stucco Overdoor Decorations

Anonymous, Italian, 18th century (d. 1800)

ca. 1740–60 · Pen and black and brown ink with gray wash, over graphite outline

Cleared · Public Domain

live
The MetSimilar
Door board (jovo) by an unrecorded maker, The Metropolitan Museum of Art

Door board (jovo)

Unrecorded maker

19th century · Wood, pigment

Cleared · Public Domain

live
The MetSimilar
Door board (jovo) by an unrecorded maker, The Metropolitan Museum of Art

Door board (jovo)

Unrecorded maker

19th century · Wood, pigment

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Right door jamb from a temple of Amenemhat I

Unrecorded maker

ca. 1962–1952 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscribed Plaque From a Foundation Deposit

Unrecorded maker

ca. 1299–1290 BCE · Egyptian blue, faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plaque with no visible inscription, from a foundation deposit of Apries

Unrecorded maker

589–570 BCE · Silver

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.