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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1146 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    551 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 11,792 matching records exist across the two collections.

Results for "Inscriptions and Fragments from the Tomb"12 records

Institutions answered newest-first by record, interleaved

Relief fragment possibly from the tomb of Mereri by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment possibly from the tomb of Mereri

Unrecorded maker

ca. 2100–2090 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Celestial banquet hanging, from the tomb of Bishop Gurb by an unrecorded maker, The Cleveland Museum of Art

Celestial banquet hanging, from the tomb of Bishop Gurb

Unrecorded maker

1200–1284 · Textile, Silk and gold thread: plain weave with inwoven tapestry weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief fragment possibly from the tomb of Mereri by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment possibly from the tomb of Mereri

Unrecorded maker

ca. 2100–2090 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Fragment of Tomb Cover by an unrecorded maker, The Cleveland Museum of Art

Fragment of Tomb Cover

Unrecorded maker

before 1955 · Textile, Silk: double-face compound twill

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief fragment possibly from the tomb of Mereri by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment possibly from the tomb of Mereri

Unrecorded maker

ca. 2100–2090 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Fragment with Lion Strangler from a Dalmatic of Saint Bernard Calvo by an unrecorded maker, The Cleveland Museum of Art

Fragment with Lion Strangler from a Dalmatic of Saint Bernard Calvo

Unrecorded maker

1200–1243 · Textile, Silk and gold thread: lampas, taqueté, and plain-weave variant

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief fragment possibly from the tomb of Mereri by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment possibly from the tomb of Mereri

Unrecorded maker

ca. 2100–2090 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

before 1975 · Textile, Silk: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief fragment possibly from the tomb of Mereri by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment possibly from the tomb of Mereri

Unrecorded maker

ca. 2100–2090 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Ceremonial Cross of Count Liudolf by an unrecorded maker, The Cleveland Museum of Art

Ceremonial Cross of Count Liudolf

Unrecorded maker

shortly after 1038 · Metalwork, gold: worked in repoussé; cloisonné enamel; intaglio gems; pearls; wood core

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Relief fragment possibly from the tomb of Mereri by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment possibly from the tomb of Mereri

Unrecorded maker

ca. 2100–2090 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions and Fragments from the Tomb Chamber near that of L. Arruntius, tome 2, tavola 17 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

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