
Marble funerary altar
Unrecorded maker
ca. 14–68 CE · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
546 ms. The Metropolitan Museum of Art, Collection API (Open Access)
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,469 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Marble funerary altar
Unrecorded maker
ca. 14–68 CE · Marble
Cleared · Public Domain
live
Untitled object 4565
Unrecorded Edgefield District potter (d. 1920)
ca. 1867–85 · Alkaline-glazed stoneware with kaolin
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Freedmen and Household Slaves of Lucius Auruntius, the Third Son of Lucius, tome 2, tavola 7 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 31 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 32 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 33 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 34 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 35 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 36 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 37 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Inscriptions of the Freedmen and Slaves of the Family of Augustus...[with sarcophagi and sculptural relief fragments], tome 3, tavola 30 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vertical Section of the Tomb Chamber of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 24 from "Le Antichità Romane" (Roman Antiquities)
Girolomo Rossi II (d. 1762)
published 1756–57 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.