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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    546 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    301 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,469 matching records exist across the two collections.

Results for "Inscriptions of the Freedmen and Slaves"12 records

Institutions answered newest-first by record, interleaved

Marble funerary altar by an unrecorded maker, The Metropolitan Museum of Art

Marble funerary altar

Unrecorded maker

ca. 14–68 CE · Marble

Cleared · Public Domain

live
The MetSimilar
 by Unrecorded  Edgefield District potter, The Metropolitan Museum of Art

Untitled object 4565

Unrecorded Edgefield District potter (d. 1920)

ca. 1867–85 · Alkaline-glazed stoneware with kaolin

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Freedmen and Household Slaves of Lucius Auruntius, the Third Son of Lucius, tome 2, tavola 7 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 31 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 32 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 33 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 34 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 35 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 36 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 37 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions of the Freedmen and Slaves of the Family of Augustus...[with sarcophagi and sculptural relief fragments], tome 3, tavola 30 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Section of the Tomb Chamber of the Freedmen and Slaves etc. of the Family of Augustus, tome 3, tavola 24 from "Le Antichità Romane" (Roman Antiquities)

Girolomo Rossi II (d. 1762)

published 1756–57 · Engraving

In copyright

live
The MetSimilar

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