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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    518 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 311 matching records exist across the two collections.

Results for "Inter artes et naturam (Between Art and"12 records

Institutions answered newest-first by record, interleaved

Male nude supporting a wreath on his head by an unrecorded maker, The Metropolitan Museum of Art

Male nude supporting a wreath on his head

Unrecorded maker

late 16th–early 17th century · Bronze, with remains of dark brown lacquer

Cleared · Public Domain

live
The MetSimilar
Inter artes et naturam (Between Art and Nature) by Pierre Puvis de Chavannes, The Metropolitan Museum of Art

Inter artes et naturam (Between Art and Nature)

Pierre Puvis de Chavannes (d. 1898)

ca. 1890–95 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Orfèvre Jouaillier, Metteur en Oeuvre, Brillans

Benard

1751–72 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Orfèvre Jouaillier, Metteur en Oeuvre, Brillans

Benard

1751–72 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Orfèvre Jouaillier, Metteur en Oeuvre, Brillans

Benard

1751–72 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Journal des Dames et des Modes, No. 38 (10 June 1913)

Vaugirard

1913 · plates: hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Formes et couleurs: vingt planches en couleurs contenant soixante-sept motifs decoratifs

Auguste H. Thomas (d. 1935)

1921 · Printed book, pochoir plates

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Polar Bear

François Pompon (d. 1933)

ca. 1923 · Marble on marble base

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vase

Emile Lenoble (d. 1939)

1925 · Glazed stoneware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Ruba Rombic" Liqueur Glass

Reuben Haley (d. 1933)

1928 · Glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Detail of a Shrimp Tail

Eli Lotar (d. 1969)

1929 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sea Anemone

Eli Lotar (d. 1969)

1929 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.