
Kneeling statuette of King Amasis
Unrecorded maker
570–526 BCE · Bronze, precious metal inlay and leaf
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
418 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 220 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Kneeling statuette of King Amasis
Unrecorded maker
570–526 BCE · Bronze, precious metal inlay and leaf
Cleared · Public Domain
live
Kneeling female figure
Lagunillas artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Vase (New World)
Joseph S. Potter (d. 1904)
ca. 1886–89 · Porcelain with enameled and gilded decoration
Cleared · Public Domain
live
Vase (Old World)
Joseph S. Potter (d. 1904)
ca. 1886–89 · Porcelain with enameled and gilded decoration
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior: Woman Kneeling in Front of a Sleeping Child
Francesco Londonio (d. 1783)
ca. 1762–63 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Kneeling female figure with three children
Tellem or Dogon blacksmith
15th–19th century · Wood, applied organic materials
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York
Helen Levitt (d. 2009)
ca. 1939 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in Arabic Costume
Sergey Sudeykin (d. 1946)
first half 20th century · Brush and black ink, gouache, watercolor, graphite; traces of graphite framing lines
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young woman
Unrecorded maker
first half of the 20th century · Glass, emulsion
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Young woman
Unrecorded maker
1975 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.