
The Temptation of Christ by the Devil
Unrecorded maker
first half 12th century (possibly 1129–34) · Fresco transferred to canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
376 ms. The Metropolitan Museum of Art, Collection API (Open Access)
407 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 193 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Temptation of Christ by the Devil
Unrecorded maker
first half 12th century (possibly 1129–34) · Fresco transferred to canvas
Cleared · Public Domain
live
Interior and Exterior of the Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
Interior Reconstruction of the Colosseum, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
Thermaru diocletiani Ruinae (Baths of Diocletian), from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
1651 · Etching; second state of two
Cleared · Public Domain
live
Amphitiatri Romani, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
live
Ruinae Coliseum, from "Roman Ruins"
Wenceslaus Hollar (d. 1677)
ca. 1650 · Etching; second state of two
Cleared · Public Domain
live
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi (d. 1778)
1776 · Etching
Cleared · Public Domain
live
Salvator, from "The Art Union" (later "The Art Journal"), opposite p. 252
Ferdinand Joubert (d. 1884)
August 1848 · Etching and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragments depicting Khety in a carrying chair- see 26.3.354-2
Unrecorded maker
ca. 2051–2000 B.C. · Limestone, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Biges et Quadriges telles quelles couroient dans le Cirque, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partie interieure de l'Amphitheatre Flavien dit Le Colisée, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior Passage in the Colosseum
François Diday (d. 1877)
1825 · Oil on paper, laid down on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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