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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    376 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    407 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 193 matching records exist across the two collections.

Results for "Interior Passage in the Colosseum"12 records

Institutions answered newest-first by record, interleaved

The Temptation of Christ by the Devil by an unrecorded maker, The Metropolitan Museum of Art

The Temptation of Christ by the Devil

Unrecorded maker

first half 12th century (possibly 1129–34) · Fresco transferred to canvas

Cleared · Public Domain

live
The MetSimilar
Interior and Exterior of the Colosseum, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Interior and Exterior of the Colosseum, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Interior Reconstruction of the Colosseum, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Interior Reconstruction of the Colosseum, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving

Cleared · Public Domain

live
The MetSimilar
Thermaru diocletiani Ruinae (Baths of Diocletian), from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Thermaru diocletiani Ruinae (Baths of Diocletian), from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1651 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Amphitiatri Romani, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Amphitiatri Romani, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Ruinae Coliseum, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruinae Coliseum, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

ca. 1650 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)

Giovanni Battista Piranesi (d. 1778)

1776 · Etching

Cleared · Public Domain

live
The MetSimilar
Salvator, from "The Art Union" (later "The Art Journal"), opposite p. 252 by Ferdinand Joubert, The Metropolitan Museum of Art

Salvator, from "The Art Union" (later "The Art Journal"), opposite p. 252

Ferdinand Joubert (d. 1884)

August 1848 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragments depicting Khety in a carrying chair- see 26.3.354-2

Unrecorded maker

ca. 2051–2000 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Biges et Quadriges telles quelles couroient dans le Cirque, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie interieure de l'Amphitheatre Flavien dit Le Colisée, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior Passage in the Colosseum

François Diday (d. 1877)

1825 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

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