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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    369 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    419 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 192 matching records exist across the two collections.

Results for "Interior of Pavilion Built on the Stump"11 records

Institutions answered newest-first by record, interleaved

Interior view of the Enfants Trouvés by Etienne Fessard, The Metropolitan Museum of Art

Interior view of the Enfants Trouvés

Etienne Fessard (d. 1777)

1759 · Etching

Cleared · Public Domain

live
The MetSimilar
The Mouth of a Cave by Hubert Robert, The Metropolitan Museum of Art

The Mouth of a Cave

Hubert Robert (d. 1808)

1784 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Saloon at the Marine Pavillion (An Excursion to Brighthelmstone) by Thomas Rowlandson, The Metropolitan Museum of Art

Saloon at the Marine Pavillion (An Excursion to Brighthelmstone)

Thomas Rowlandson (d. 1827)

June 1, 1790 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Interior of Pavilion Built on the Stump of the Tree, C. Grove by Carleton E. Watkins, The Metropolitan Museum of Art

Interior of Pavilion Built on the Stump of the Tree, C. Grove

Carleton E. Watkins (d. 1916)

ca. 1878 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saloon at the Marine Pavilion (from An Excursion to Brighthelmstone, made in the year 1789)

Thomas Rowlandson (d. 1827)

1790 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of St. Bernard's Church, West 14th Street, New York City

The Graphic Company (d. 1900)

ca. 1875 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for an Interior

Tiffany Glass Company (d. 1892)

ca. 1925–30 · Pen and brown ink, and graphite on artist board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964

Charles Eames (d. 1978)

1964 · Wood, metal, paint, printed paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

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