
Interior view of the Enfants Trouvés
Etienne Fessard (d. 1777)
1759 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
369 ms. The Metropolitan Museum of Art, Collection API (Open Access)
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 192 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Interior view of the Enfants Trouvés
Etienne Fessard (d. 1777)
1759 · Etching
Cleared · Public Domain
live
The Mouth of a Cave
Hubert Robert (d. 1808)
1784 · Oil on canvas
Cleared · Public Domain
live
Saloon at the Marine Pavillion (An Excursion to Brighthelmstone)
Thomas Rowlandson (d. 1827)
June 1, 1790 · Etching and aquatint
Cleared · Public Domain
live
Interior of Pavilion Built on the Stump of the Tree, C. Grove
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saloon at the Marine Pavilion (from An Excursion to Brighthelmstone, made in the year 1789)
Thomas Rowlandson (d. 1827)
1790 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Interior
Tiffany Glass Company (d. 1892)
ca. 1925–30 · Pen and brown ink, and graphite on artist board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964
Charles Eames (d. 1978)
1964 · Wood, metal, paint, printed paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.