
Interior of a barn with an unloading haywagon
Jean Louis de Marne (called Demarnette) (d. 1829)
date not published · Etching and drypoint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,020 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Interior of a barn with an unloading haywagon
Jean Louis de Marne (called Demarnette) (d. 1829)
date not published · Etching and drypoint
Cleared · Public Domain
live
Landscape with a Hay Barn and a Flock of Sheep
Rembrandt (Rembrandt van Rijn) (d. 1669)
1652 · Etching and drypoint; second of two states
Cleared · Public Domain
live
Roma Mother with Children
Cornelis Visscher (d. 1658)
ca. 1656–57 · Black chalk with brush and dark gray wash
Cleared · Public Domain
live
Interior of a Barn with Mother and Two Children, Right in Front a Pig (copy)
Adriaen van Ostade (d. 1685)
17th century · Engraving
Cleared · Public Domain
live
A Mother with two Children, from the Scherzi
Giovanni Battista Tiepolo (d. 1770)
ca. 1740 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Barn Floor
Currier & Ives (d. 1907)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodland Interior
Louis C. Tiffany (d. 1933)
1868 · Transparent and opaque watercolor on tan paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of a painter's studio with a woman and two men
Alfred Jones (d. 1900)
1880 (?) · Pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Aesthetic Interior
Louis C. Tiffany (d. 1933)
ca. 1885-87 · Transparent and opaque watercolor, metallic paint, ink and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tithe Barn, Great Cokkeswell, Interior
Frederick H. Evans (d. 1943)
1896 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for interior fireplace wall
Louis C. Tiffany (d. 1933)
1892-1932 · Watercolor, graphite, and ink on tissue mounted on board.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure: Mother and Child
Unrecorded maker
16th–20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.