Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    620 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    354 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,703 matching records exist across the two collections.

Results for "Interior of a Stable"12 records

Institutions answered newest-first by record, interleaved

Model Cattle stable from the tomb of Meketre by an unrecorded maker, The Metropolitan Museum of Art

Model Cattle stable from the tomb of Meketre

Unrecorded maker

ca. 1981–1975 B.C. · Plastered and painted wood, gesso

Cleared · Public Domain

live
The MetSimilar
Prince Shōtoku at Age Two (Shōtoku Taishi) by an unrecorded maker, The Cleveland Museum of Art

Prince Shōtoku at Age Two (Shōtoku Taishi)

Unrecorded maker

early 1300s · Sculpture, Wood with lacquer, color, and rock-crystal inlaid eyes

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Interior of a Farm with Lovers by Anonymous, French, early 19th century, The Metropolitan Museum of Art

Interior of a Farm with Lovers

Anonymous, French, early 19th century (d. 1800)

1787 · Etching

Cleared · Public Domain

live
The MetSimilar
Diptych with Twelve Apostles & St. Paul by Workshop or Circle of Wäldä Maryam, The Cleveland Museum of Art

Diptych with Twelve Apostles & St. Paul

Workshop or Circle of Wäldä Maryam

c. 1700 · Painting, Tempera, wood, textile

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cattle in a Stable by John Singer Sargent, The Metropolitan Museum of Art

Cattle in a Stable

John Singer Sargent (d. 1925)

1880 (?) · Watercolor and graphite on off-white paper

Cleared · Public Domain

live
The MetSimilar
Bust Reliquary of St. Louis, Bishop of Toulouse by an unrecorded maker, The Cleveland Museum of Art

Bust Reliquary of St. Louis, Bishop of Toulouse

Unrecorded maker

late 1300s · Sculpture, wood (walnut) with polychromy, gesso and gilding

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Haty Supervising Activities in a Stable, Tomb of Haty

Nina de Garis Davies (d. 1965)

ca. 1396–1386 BCE · Tempera on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spinner Inside a Stable

Francesco Londonio (d. 1783)

ca. 1759–82 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Carrier's Stable

William Ward (d. 1826)

April 9, 1793 · Mezzotint; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of a Stable

Thomas Rowlandson (d. 1827)

1770–1827 · Pen and gray and brown ink, watercolor, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Trotting Cracks" at Home – A Model Stable

Thomas B. Worth (d. 1917)

1868 · Hand-colored lithograph with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Stable Yard, New York

August Barry (d. 1889)

ca. 1880 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.