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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    233 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    419 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 41 matching records exist across the two collections.

Results for "Interior of an Octagonal Room (Stage Des"11 records

Institutions answered newest-first by record, interleaved

Boudoir from the Hôtel de Crillon by Pierre-Adrien Paris, The Metropolitan Museum of Art

Boudoir from the Hôtel de Crillon

Pierre-Adrien Paris (d. 1819)

ca. 1777–80 · Oak, painted and gilded

Cleared · Public Domain

live
The MetSimilar
Secretary by Martin Carlin, The Metropolitan Museum of Art

Secretary

Martin Carlin (d. 1785)

ca. 1781–85 · Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.

Cleared · Public Domain

live
The MetSimilar
Room from a hotel in the Cours d'Albret, Bordeaux by Barthélemy Cabirol, The Metropolitan Museum of Art

Room from a hotel in the Cours d'Albret, Bordeaux

Barthélemy Cabirol (d. 1786)

ca. 1785, with later additions · Pine, painted and carved

Cleared · Public Domain

live
The MetSimilar
Interior of an Octagonal Room (Stage Design?) by Tranquillo Orsi, The Metropolitan Museum of Art

Interior of an Octagonal Room (Stage Design?)

Tranquillo Orsi (d. 1845)

ca. 1790–1830 · Point of brush and brown wash over black chalk within black chalk framing lines

Cleared · Public Domain

live
The MetSimilar
Crest rail of a settee by François Roumier, The Metropolitan Museum of Art

Crest rail of a settee

François Roumier (d. 1748)

17th–18th century · Walnut

Cleared · Public Domain

live
The MetSimilar
[Studio Portrait: Seated Group portrait of Ten Indigenous people] by Unknown, The Metropolitan Museum of Art

[Studio Portrait: Seated Group portrait of Ten Indigenous people]

Unknown

1860s–70s · Albumen silver print with applied color

Cleared · Public Domain

live
The MetSimilar
Female figure from an obu (house of images) by Igbo artist, The Metropolitan Museum of Art

Female figure from an obu (house of images)

Igbo artist

Late 19th century · Wood, pigment

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Architecture a la Mode ou sont Les Nouveaux Dessins pour la Décoration des Bâtimens et Jardins

Nicolas Langlois (d. 1703)

ca. 1680–1707 · Etching, engraving, graphite, chalk, watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Proscenium for Hershey Community Theatre, Hershey, Pennsylvania

Louis C. Tiffany (d. 1933)

ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Set design for Shakespeare's Othello, Act 1

Alexandra Exter (d. 1949)

1930 · Pochoir; from an edition of 160

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Meditation Room

Mohammed Sami (d. 9999)

2022 · Mixed acrylic media on canvas

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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