
Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris (d. 1819)
ca. 1777–80 · Oak, painted and gilded
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
233 ms. The Metropolitan Museum of Art, Collection API (Open Access)
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Boudoir from the Hôtel de Crillon
Pierre-Adrien Paris (d. 1819)
ca. 1777–80 · Oak, painted and gilded
Cleared · Public Domain
live
Secretary
Martin Carlin (d. 1785)
ca. 1781–85 · Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.
Cleared · Public Domain
live
Room from a hotel in the Cours d'Albret, Bordeaux
Barthélemy Cabirol (d. 1786)
ca. 1785, with later additions · Pine, painted and carved
Cleared · Public Domain
live
Interior of an Octagonal Room (Stage Design?)
Tranquillo Orsi (d. 1845)
ca. 1790–1830 · Point of brush and brown wash over black chalk within black chalk framing lines
Cleared · Public Domain
live
Crest rail of a settee
François Roumier (d. 1748)
17th–18th century · Walnut
Cleared · Public Domain
live![[Studio Portrait: Seated Group portrait of Ten Indigenous people] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-141.jpg)
[Studio Portrait: Seated Group portrait of Ten Indigenous people]
Unknown
1860s–70s · Albumen silver print with applied color
Cleared · Public Domain
live
Female figure from an obu (house of images)
Igbo artist
Late 19th century · Wood, pigment
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Architecture a la Mode ou sont Les Nouveaux Dessins pour la Décoration des Bâtimens et Jardins
Nicolas Langlois (d. 1703)
ca. 1680–1707 · Etching, engraving, graphite, chalk, watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Proscenium for Hershey Community Theatre, Hershey, Pennsylvania
Louis C. Tiffany (d. 1933)
ca. 1915 · Transparent and opaque watercolor, metallic paint, colored pencil, and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Set design for Shakespeare's Othello, Act 1
Alexandra Exter (d. 1949)
1930 · Pochoir; from an edition of 160
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Meditation Room
Mohammed Sami (d. 9999)
2022 · Mixed acrylic media on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.