Interior of the Oude Kerk, Delft
Emanuel de Witte (d. 1692)
probably 1650 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
4001 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
260 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,577 matching records exist across the two collections.
Results for "Interior of the New Church in Delft with"12 records
Institutions answered newest-first by record, interleaved
Interior of the Oude Kerk, Delft
Hendrick van Vliet (d. 1675)
1660 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Interior of the New Church in Delft with the Tomb of William the Silent
Jan Hendrik Verheyen (d. 1846)
early 19th century · Graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Entertaining History of King Philip's War, which began in the month of June 1765: As also of Expeditions more lately made against the Common Enemy, and Indian Rebels, in the Eastern Parts of New England...
Benjamin Church (d. 1718)
1772 · Illustrations: engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored Lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior of St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Bernard's Church, West 14th Street, New York City
The Graphic Company (d. 1900)
ca. 1875 · Lithograph with tint stone
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Clustered Columns, First Presbyterian Church, Poughkeepsie, New York
Louis C. Tiffany (d. 1933)
1906-08 · Watercolor and graphite on paper
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.