Interior view of the Enfants Trouvés
Etienne Fessard (d. 1777)
1759 · Etching
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
458 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 404 matching records exist across the two collections.
Results for "Interior view of the Flavian Amphitheate"11 records
Institutions answered newest-first by record, interleaved
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi (d. 1778)
1776 · Etching
Cleared · Public Domain
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View of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
Cleared · Public Domain
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View of the Colosseum from the Basilica of Domitian and the Flavian Palace, Rome
Henri-Joseph Harpignies (d. 1916)
1864 · Watercolor over graphite, lightly squared in graphite
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Flavian Amphitheater, called the Colosseum, tome 1, tavola 37, figure 1 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
1756–57 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Interior of the Flavian Amphitheater, called the Colosseum, tome 1, tavola 37, figure 2 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
1756–57 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Biges et Quadriges telles quelles couroient dans le Cirque, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; third state of five (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Arch of Constantine and the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of six (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Flavian Amphitheater, called the Colosseum (from the air), from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Campo Santo, Pisa
Domenico Landini (d. 1850)
ca. 1841–1864 · Etching and aquatint
In copyright
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