
Scene from The Illustrated Legends of Jin’ōji Temple (Jin’ōji engi emaki)
Unrecorded maker
14th century · Section of a handscroll; ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
728 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 229 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scene from The Illustrated Legends of Jin’ōji Temple (Jin’ōji engi emaki)
Unrecorded maker
14th century · Section of a handscroll; ink and color on paper
Cleared · Public Domain
live
View of the Palatine Hill and the Temple of Romulus
Jean Barbault (d. 1762)
1750 · Black and white chalk
Cleared · Public Domain
live
Intérieur du Temple de Khons, à Karnac, Thèbes
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Vue du Temple de Jupiter, à Baâlbek (Héliopolis)
Maxime Du Camp (d. 1894)
September 15, 1850 · Salted paper print from paper negative
Cleared · Public Domain
live
Vue du Temple de Kardassy
Maxime Du Camp (d. 1894)
April 9, 1850 · Salted paper print from paper negative
Cleared · Public Domain
live
Vue du Temple de Maharakka (Hiéra-Sycaminos)
Maxime Du Camp (d. 1894)
April 5, 1850 · Salted paper print from paper negative
Cleared · Public Domain
live
Vue du Temple de Tafah (Taphis)
Maxime Du Camp (d. 1894)
April 9, 1850 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frise du Temple de Pallas, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vuë Interieure d'un autre côté de la chambre Sepulcrale de L. Arruntius, plate 22 from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Dominico Montagu
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Interior View of the Floating Church of Our Saviour for Seamen, New York
Louis Nagel (d. 1870)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the Hoentschel Collection at 58 Boulevard Flandrin, Paris
Léopold Stevens (d. 1935)
ca. 1903–06 · Oil on canvas; mounted on a carved wood stretcher and framed with carved gilt wood Louis XV frame
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.