Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    248 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    398 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Internal view of the Atrium of the Porti"11 records

Institutions answered newest-first by record, interleaved

The Lottery in Piazza di Montecitorio by Giovanni Paolo Panini, The Metropolitan Museum of Art

The Lottery in Piazza di Montecitorio

Giovanni Paolo Panini (d. 1765)

1743–1744 · Pen and black ink, watercolor, over graphite; framing lines in pen and black ink at left, right, and upper margins

Cleared · Public Domain

live
The MetSimilar
Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome)

Giovanni Battista Piranesi (d. 1778)

1760 · Etching

Cleared · Public Domain

live
The MetSimilar
New York from Governor's Island (No. 20 of The Hudson River Portfolio) by John Hill, The Metropolitan Museum of Art

New York from Governor's Island (No. 20 of The Hudson River Portfolio)

John Hill (d. 1850)

1823–24 · Aquatint printed in color with hand-coloring; first state of three (Koke)

Cleared · Public Domain

live
The MetSimilar
Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow) by Thomas Cole, The Metropolitan Museum of Art

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)

Thomas Cole (d. 1848)

1836 · Oil and pencil on composition board

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Atrium of the Portico of Octavia (Veduta dell'Atrio del Portico di Ottavia)

Giovanni Battista Piranesi (d. 1778)

ca. 1760 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Internal view of the Atrium of the Portico of Octavia, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; third state of six (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Atrium of the Portico of Octavia [External View], from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fourth state of seven (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Temple of Isis and of the small Egyptian temple as they are today, and a portion of the Atrium that surrounds them, from "Antiquités de Pompeïa, tome second, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume two, Antiquities of Great Greece...), volume 2, plate 65

Francesco Piranesi (d. 1810)

1806 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view, including atrium, of the Pomeian Court at the Crystal Palace

Anonymous, British, 20th century (d. 1999)

20th century (?) · Graphite and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Side View of Three-Story Clapboard House, Martha's Vineyard, Massachusetts]

Walker Evans (d. 1975)

September 30, 1974 · Instant internal dye diffusion transfer print (Polaroid SX-70)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Constellation. Proposal for a Ceiling Installation in the Atrium of the Kunkel Gallery in the Whitaker Center, Harrisburg, PA

Jack Stewart (d. 2005)

ca. 1990–97 · Watercolor over graphite underdrawing, metallic ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.