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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    551 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    356 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 182 matching records exist across the two collections.

Results for "International Society of Copier Artists,"12 records

Institutions answered newest-first by record, interleaved

Nameless and Friendless, from "Illustrated London News" by Emily Mary Osborn, The Metropolitan Museum of Art

Nameless and Friendless, from "Illustrated London News"

Emily Mary Osborn (d. 1925)

July 12, 1862 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Serena Pulitzer Lederer (1867–1943) by Gustav Klimt, The Metropolitan Museum of Art

Serena Pulitzer Lederer (1867–1943)

Gustav Klimt (d. 1918)

1899 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Zaida Ben-Yusuf

F. Holland Day (d. 1933)

1898 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Somerset House

Sir Muirhead Bone (d. 1953)

1905 · Drypoint; trial proof E, printed with plate tone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Bath, Jávea

Joaquín Sorolla y Bastida (d. 1923)

1905 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Brooch

Jane Carson (d. 1942)

ca. 1905 · Silver, pearl, and enamel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hell Hole

John Sloan (d. 1951)

1917 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wendingen: Maandblad for Bouwen en Sieren van Architectura et Amicitia (September/October 1919, nrs. 9/10)

Frits Lensvelt (d. 1945)

1921 · Commercial Printing Process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gong

Pierre Alechinsky (d. 9999)

1967 · Acrylic on paper mounted on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (three women with their heads cast down)

Richard Prince (d. 9999)

1980 · Chromogenic prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

International Society of Copier Artists, Back Issues of I.S.C.A. Quarterly

The International Society of Copier Artists

n.d.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The International Society of Copier Artists Quarterly

The International Society of Copier Artists

1989

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.