
Le Turc Vu de Dos (The Turk Seen from Behind), plate 10 from "Varie Figure" (Various Figures)
Jacques Callot (d. 1635)
ca. 1620 · Etching; third state of three (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
464 ms. The Metropolitan Museum of Art, Collection API (Open Access)
692 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 198 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Le Turc Vu de Dos (The Turk Seen from Behind), plate 10 from "Varie Figure" (Various Figures)
Jacques Callot (d. 1635)
ca. 1620 · Etching; third state of three (Lieure)
Cleared · Public Domain
live
Inventor of Greek Figures, Plate 10
Benigno Bossi (d. 1792)
1771 · Print, etching with stipple and engraving
Cleared · CC0
live
Plate 10: Head of a Man without a Beard, Turned in Profile to the Right, from "Various heads and figures" (Diverses têtes et figures)
Stefano della Bella (d. 1664)
1650 · Etching
Cleared · Public Domain
live
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia
Pietro Santi Bartoli (d. 1700)
1650–77 · Etching
Cleared · Public Domain
live
Plate 10, Outlines of Figures, Landscapes and Cattle...for the Use of Learners
Thomas Rowlandson (d. 1827)
August 6, 1790 · Hand-colored etching
Cleared · Public Domain
live
Ships in a Breeze, part II, plate 10 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
February 20, 1808 · Etching and mezzotint; first state of five (Finberg)
Cleared · Public Domain
live
Plate 10, from "World in Miniature"
Thomas Rowlandson (d. 1827)
1816 · Hand-colored etching
Cleared · Public Domain
live
Plate 10: two figures dancing, another seated playing a drum, from "Customs and Pastimes of the Spanish People"
Francisco Lameyer y Berenguer (d. 1877)
1850 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Capitano Spessa Monti and Bagattino, plate 10 from "Balli di Sfessania" (Dance of Sfessania)
Jacques Callot (d. 1635)
ca. 1621–22 · Etching; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twelve Grotesque Figures (Months of the Year), Plate 10 (January)
Denis Boutemie (d. 1636)
ca. 1638 · Etching, state 1 of 3
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 10, Outlines of Figures, Landscape and Cattle...for the use of learners
Thomas Rowlandson (d. 1827)
August 6, 1790 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 10, Outlines of Figures, Landscapes and Cattle... for the Use of Learners, from "Outlines"
Thomas Rowlandson (d. 1827)
August 6, 1790 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.