
Album Leaf with Shi'a Invocation
Unrecorded maker
17th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
459 ms. The Metropolitan Museum of Art, Collection API (Open Access)
262 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,144 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Album Leaf with Shi'a Invocation
Unrecorded maker
17th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Invocation to Love
Jean-Honoré Fragonard (d. 1806)
c. 1781 · Drawing, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper
Cleared · CC0
live
The Love Letter
Jean Honoré Fragonard (d. 1806)
early 1770s · Oil on canvas
Cleared · Public Domain
live
Scenes of Witchcraft
Salvator Rosa (d. 1673)
c. 1645–49 · Painting, oil on canvas
Cleared · CC0
live
Offering to Love
Jean-Baptiste Huet I (d. 1811)
1804 · Cotton
Cleared · Public Domain
live
Love and Innocence
Unrecorded maker
ca. 1820–25 · Gilt bronze, enamel
Cleared · Public Domain
live
Love
Simeon Solomon (d. 1905)
1858 · Graphite, pen and brown ink, brush and brown wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invocation to Mahomet, from "History of the Crusades"
Albert Doms (d. 1900)
after 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"No One to Love Me"
Currier & Ives (d. 1907)
1868–94 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan of Love
Kurt Schwitters (d. 1948)
1919 and 1923 · Cut and torn pasted papers, cellophane, opaque matte paint, and torn fabric with nails, black ink, and graphite mounted on illustration and paper boards, in artist's frame
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love
Larry Rivers (d. 2002)
1958 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for The Epic of Gilgamesh: Gilgamesh’s Invocation
Dia al-Azzawi
1965–1966 · Ink and ink wash on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.