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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    459 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    262 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,144 matching records exist across the two collections.

Results for "Invocation to Love"12 records

Institutions answered newest-first by record, interleaved

Album Leaf with Shi'a Invocation by an unrecorded maker, The Metropolitan Museum of Art

Album Leaf with Shi'a Invocation

Unrecorded maker

17th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Invocation to Love by Jean-Honoré Fragonard, The Cleveland Museum of Art

Invocation to Love

Jean-Honoré Fragonard (d. 1806)

c. 1781 · Drawing, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Love Letter by Jean Honoré Fragonard, The Metropolitan Museum of Art

The Love Letter

Jean Honoré Fragonard (d. 1806)

early 1770s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Scenes of Witchcraft by Salvator Rosa, The Cleveland Museum of Art

Scenes of Witchcraft

Salvator Rosa (d. 1673)

c. 1645–49 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Offering to Love by Jean-Baptiste Huet I, The Metropolitan Museum of Art

Offering to Love

Jean-Baptiste Huet I (d. 1811)

1804 · Cotton

Cleared · Public Domain

live
The MetSimilar
Love and Innocence by an unrecorded maker, The Metropolitan Museum of Art

Love and Innocence

Unrecorded maker

ca. 1820–25 · Gilt bronze, enamel

Cleared · Public Domain

live
The MetSimilar
Love by Simeon Solomon, The Metropolitan Museum of Art

Love

Simeon Solomon (d. 1905)

1858 · Graphite, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Invocation to Mahomet, from "History of the Crusades"

Albert Doms (d. 1900)

after 1880 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"No One to Love Me"

Currier & Ives (d. 1907)

1868–94 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of Love

Kurt Schwitters (d. 1948)

1919 and 1923 · Cut and torn pasted papers, cellophane, opaque matte paint, and torn fabric with nails, black ink, and graphite mounted on illustration and paper boards, in artist's frame

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Love

Larry Rivers (d. 2002)

1958 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for The Epic of Gilgamesh: Gilgamesh’s Invocation

Dia al-Azzawi

1965–1966 · Ink and ink wash on paper

In copyright

live
The MetSimilar

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