Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Italy, A Poem"9 records

Institutions answered newest-first by record, interleaved

The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII) by Pierino da Vinci, The Cleveland Museum of Art

The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII)

Pierino da Vinci (d. 1553)

c. 1550 · Sculpture, Terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scenes of Witchcraft: Evening by Salvator Rosa, The Cleveland Museum of Art

Scenes of Witchcraft: Evening

Salvator Rosa (d. 1673)

c. 1645–49 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Aeneas Saving Anchises at the Fall of Troy by Federico Barocci, The Cleveland Museum of Art

Aeneas Saving Anchises at the Fall of Troy

Federico Barocci (d. 1612)

1587–88 · Drawing, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus Wounded by a Rose's Thorn by Marco Dente, The Cleveland Museum of Art

Venus Wounded by a Rose's Thorn

Marco Dente (d. 1527)

c. 1516 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scenes of Witchcraft by Salvator Rosa, The Cleveland Museum of Art

Scenes of Witchcraft

Salvator Rosa (d. 1673)

c. 1645–49 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Venus Discovering the Dead Adonis by an unrecorded maker, The Cleveland Museum of Art

Venus Discovering the Dead Adonis

Unrecorded maker

c. 1650 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Circe Giving Drink to the Companions of Ulysses by Antonio da Trento, The Cleveland Museum of Art

Circe Giving Drink to the Companions of Ulysses

Antonio da Trento (d. 1550)

1540s · Print, chiaroscuro woodcut

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Angelica and Medoro by Giorgio Ghisi, The Cleveland Museum of Art

Angelica and Medoro

Giorgio Ghisi (d. 1582)

c. 1570 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Isola Bella, Lago Maggiore by Edward Lear, The Cleveland Museum of Art

Isola Bella, Lago Maggiore

Edward Lear (d. 1888)

1839 · Drawing, graphite heightened with white

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.