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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    124 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    415 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 67 matching records exist across the two collections.

Results for "Ivory Box with Scenes of Adam and Eve"7 records

Institutions answered newest-first by record, interleaved

Panel from an Ivory Casket with the Story of Adam and Eve by an unrecorded maker, The Metropolitan Museum of Art

Panel from an Ivory Casket with the Story of Adam and Eve

Unrecorded maker

10th or 11th century · Elephant ivory, gilding, and polychromy

Cleared · Public Domain

live
The MetSimilar
Ivory Box with Scenes of Adam and Eve by an unrecorded maker, The Cleveland Museum of Art

Ivory Box with Scenes of Adam and Eve

Unrecorded maker

1000–1100s · Ivory, ivory, wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Panels from an Ivory Casket with the Story of Adam and Eve by an unrecorded maker, The Metropolitan Museum of Art

Panels from an Ivory Casket with the Story of Adam and Eve

Unrecorded maker

10th or 11th century · Elephant ivory, gilding, and polychromy

Cleared · Public Domain

live
The MetSimilar
Adam and Eve in Paradise by Unknown, The Metropolitan Museum of Art

Adam and Eve in Paradise

Unknown

18th Century · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Adam and Eve Eating the Forbidden Fruit (Adam et Eve mangeant le fruit défendu)

Etienne Delaune (d. 1583)

ca. 1569 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Angel of the Lord driving Adam and Eve out of Paradise (L'Ange du Seigneur chassant Adam et Eve du Paradis)

Etienne Delaune (d. 1583)

ca. 1569 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Adam and Eve in the Garden of Eden and Genesis Scenes [School piece or Penmanship sheet]

Edward Langley (d. 1835)

1805 · Etching and engraving with pen and ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.