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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    797 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    297 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 29 matching records exist across the two collections.

Results for "Jérusalem, Saint Sépulcre, détails des c"12 records

Institutions answered newest-first by record, interleaved

Saint John by Antonio Susini, The Metropolitan Museum of Art

Saint John

Antonio Susini (d. 1624)

1596 · Bronze

Cleared · Public Domain

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The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

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The MetSimilar
Anointment of the dead Christ by Fra Domenico Portigiani, The Metropolitan Museum of Art

Anointment of the dead Christ

Fra Domenico Portigiani (d. 1650)

17th century? · Bronze

Cleared · Public Domain

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The MetSimilar
Mantel clock with musical movement by Jean-Baptiste-André Furet, The Metropolitan Museum of Art

Mantel clock with musical movement

Jean-Baptiste-André Furet (d. 1807)

ca. 1784 · Case: gilded and lacquered bronze and marble; Movement (in bust): brass and steel with enameled hour and minute chapter rings (in head); Miniature organ with pipes and bellows (in base): brass, steel, and leather

Cleared · Public Domain

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The MetSimilar
Jérusalem, Saint Sépulcre, détails des chapiteaux by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Saint Sépulcre, détails des chapiteaux

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Saint-Sépulcre, Détails de la Chapelle du Calvaire by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Saint-Sépulcre, Détails de la Chapelle du Calvaire

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Saint-Sépulcre, Détails de la façade by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Saint-Sépulcre, Détails de la façade

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Saint-Sépulcre, Détails de la porte by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Saint-Sépulcre, Détails de la porte

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Saint-Sépulcre, Détails des chapiteaux de la porte principale by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Saint-Sépulcre, Détails des chapiteaux de la porte principale

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Saint-Sépulcre, Détails du Clocher by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Saint-Sépulcre, Détails du Clocher

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Jérusalem, Sarcophage judaïque by Auguste Salzmann, The Metropolitan Museum of Art

Jérusalem, Sarcophage judaïque

Auguste Salzmann (d. 1872)

1854 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Pendant with Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant with Saint Anthony of Padua

Kongo artist

16th–19th century · Partially hollow cast brass

Cleared · Public Domain

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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