Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    3966 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 49 matching records exist across the two collections.

Results for "J. Ericsson, from the series Great Ameri"12 records

Institutions answered newest-first by record, interleaved

Watch with scenes from the story of Rebekah at the well by Johannes van Ceulen, The Metropolitan Museum of Art

Watch with scenes from the story of Rebekah at the well

Johannes van Ceulen (d. 1715)

ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Desk by Joseph Baumhauer, The Metropolitan Museum of Art

Desk

Joseph Baumhauer (d. 1772)

ca. 1770 · Oak, tulipwood, gilt bronze, soft-paste porcelain, leather, silk

Cleared · Public Domain

live
The MetSimilar
Writing and eating table by Martin Carlin, The Metropolitan Museum of Art

Writing and eating table

Martin Carlin (d. 1785)

ca. 1780 · Oak veneered with tulipwood, gilt bronze, soft-paste porcelain, marble

Cleared · Public Domain

live
The MetSimilar
“The Pyramids of Egypt” Egefutekoku senkei kodai), from the series Newly Published Dutch Perspective Prints 
(Shinpan Oranda uki-e) by Utagawa Kuninaga, The Metropolitan Museum of Art

“The Pyramids of Egypt” Egefutekoku senkei kodai), from the series Newly Published Dutch Perspective Prints (Shinpan Oranda uki-e)

Utagawa Kuninaga (d. 1829)

1829 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
WHAT MAINTAINS ONE VICE/ WOULD BRING UP TWO CHILDREN./ FRANKLINS/ MORALS by Davenport, The Metropolitan Museum of Art

WHAT MAINTAINS ONE VICE/ WOULD BRING UP TWO CHILDREN./ FRANKLINS/ MORALS

Davenport (d. 1887)

ca. 1820–60 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
J. Ericsson, from the series Great Americans (N76) for Duke brand cigarettes by W. Duke, Sons & Co., The Metropolitan Museum of Art

J. Ericsson, from the series Great Americans (N76) for Duke brand cigarettes

W. Duke, Sons & Co. (d. 1920)

1888 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A New Map of Virginia, from the Best Authorities, from the London Magazine

Thomas Kitchin (d. 1784)

November 1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

J. Ericsson, Admiral Farragut, and Robert Fulton, from the Great Americans series (N112) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

1888 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nathaniel Hawthorne, J. Fenimore Cooper, Washington Irving, from the Great Americans series (N112) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

1888 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rodin

Edward J. Steichen (d. 1973)

1901 · Direct carbon print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

July Fourteenth, Rue Daunou, 1910

Childe Hassam (d. 1935)

1910 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

England, from the World War I Puzzle Cards series

J. Lopez (d. 1970)

1921–23 · Color lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.