Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
194 ms. The Metropolitan Museum of Art, Collection API (Open Access)
348 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso)
Jacob de Backer (d. 1600)
ca. 1580–90 · Brown and black oil with white heightening (recto); black chalk (verso)
Cleared · Public Domain
live
The Holy Family with Saint Anne and the Young Baptist and His Parents
Jacob Jordaens (d. 1678)
early 1620s and 1650s · Oil on wood
Cleared · Public Domain
live
Jacob Wrestling with the Angel
Giulio Benso (d. 1668)
1601–68 · Pen and brown ink, brush and brown wash over traces of black chalk
Cleared · Public Domain
live
Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia
Pietro Santi Bartoli (d. 1700)
1650–77 · Etching
Cleared · Public Domain
live
Jacob Wrestling with the Angel
Eugène Delacroix (d. 1863)
1850 · Oil over pen and ink on tracing paper; mounted on canvas and backed with linen
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacob Wrestling with the Angel, from "Old Testament Figures from Adam to Judas Macabeus"
Crispijn van den Broeck (d. 1524)
1575 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacob wrestling with the angel
Anonymous
18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel of the Resurrection
Benjamin West (d. 1820)
1801–6 · Pen lithograph on pale yellow-beige aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacob Fighting with the Angel, from "Gazette des Beaux-Arts"
Léon Bonnat (d. 1922)
1876 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacob Wrestling with the Angel (Jakob ringt mit dem Engel)
Karl Caspar (d. 1956)
1918–20 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (from the Perth Amboy series)
Rachel Harrison (d. 9999)
2000 · Chromogenic print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (from the Perth Amboy series)
Rachel Harrison (d. 9999)
2000 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.