
Icon of the Lamentation
Unrecorded maker
12th–13th century · Elephant ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1097 ms. The Metropolitan Museum of Art, Collection API (Open Access)
312 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Icon of the Lamentation
Unrecorded maker
12th–13th century · Elephant ivory
Cleared · Public Domain
live
The Baptism of Christ
Unrecorded maker
ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain
Cleared · Public Domain
live
Saint James the Greater
Gil de Siloe (d. 1505)
1489–93 · Alabaster with paint and gilding
Cleared · Public Domain
live
Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
1621 · Red chalk on blue paper
Cleared · Public Domain
live
Cabasset
Unrecorded maker
late 16th–early 17th century · Steel, polychromy, brass
Cleared · Public Domain
live
"Women Visiting a Hermit", Folio from the Davis Album
Unrecorded maker
18th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Adoration of the Magi, after Rubens
Eugène Delacroix (d. 1863)
ca. 1830 · Graphite
Cleared · Public Domain
live
Jahangir Visiting a Holy Man
Unrecorded maker
19th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Visit to Holy Man by Prince Salim (Jahangir as a Youth?)
Unrecorded maker
19th century · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Page of Sketches and Figure Studies
Unrecorded maker
early 18th century · Brush drawing on paper with pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.