
James, Duke of York
Wenceslaus Hollar (d. 1677)
1651 · Etching, only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
588 ms. The Metropolitan Museum of Art, Collection API (Open Access)
471 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,646 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

James, Duke of York
Wenceslaus Hollar (d. 1677)
1651 · Etching, only state
Cleared · Public Domain
live
Portrait of Anne Hyde, Duchess of York
Nicholas Dixon (d. 1708)
c. 1662 · Portrait Miniature, watercolor on vellum in a large wooden frame
Cleared · CC0
live
Octagonal box with cipher of John Campbell, 2nd Duke of Argyll
James Fraillon (d. 1728)
1716 · Gilded silver
Cleared · Public Domain
live
The York-Minuet
James Gillray (d. 1815)
December 14, 1791 · Hand-colored etching
Cleared · Public Domain
live
Duke of Cumberland
James Tassie (d. 1799)
late 18th century · Glass paste
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Charles I, Charles Prince of Wales, and James Duke of York with two dogs
Anonymous, Netherlandish, 17th century (d. 1700)
1640–60 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Charles the First, King of England &c. Henrietta Maria his Queen, and his two Sons, Charles Prince of Wales, & James Duke of York
Bernard Baron (d. 1762)
1741 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thomas Holles, Duke of Newcastle
James McArdell (d. 1765)
1752–64 · Mezzotint; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John, Duke of Argyll
James Watson (d. 1790)
January 15, 1769 · Mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Henrietta Maria, Queen of England (Henrietta Maria Magnae Britanniae Regina)
Robert Strange (d. 1792)
1784 · Etching and engraving on chine collé; second state (unlettered)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York from Bedlow's Island (New York Mirror)
James Smillie (d. 1885)
ca. 1830 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lunatic Asylum, New York, from "New York Mirror"
James Smillie (d. 1885)
1834 · Steel engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.