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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    209 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    247 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 660 matching records exist across the two collections.

Results for "James G. Almy"12 records

Institutions answered newest-first by record, interleaved

James G. Almy by Edward Greene Malbone, The Metropolitan Museum of Art

James G. Almy

Edward Greene Malbone (d. 1807)

ca. 1798 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Mrs. James G. Almy (Myra Eliot) by Edward Greene Malbone, The Metropolitan Museum of Art

Mrs. James G. Almy (Myra Eliot)

Edward Greene Malbone (d. 1807)

ca. 1798 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Boy Fishing (from McGuire Scrapbook) by James G. Clonney, The Metropolitan Museum of Art

Boy Fishing (from McGuire Scrapbook)

James G. Clonney (d. 1867)

1820 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Treatise On Cutting Garments to fit the Human Form, Containing Forty Diagrams and Designs Reduced to Mathematical Principles, Accompanied by a Periodical Report of Fashions

James G. Wilson (d. 1850)

1833 · Illustrations: engraving (map hand colored)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David and Bathsheba

James G. S. Lucas (d. 1834)

1833–35 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Passage of the Red Sea (Le Passage de la Mer Rouge)

James G. S. Lucas (d. 1834)

1833–35 · Mezzotint and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Crucifixion

James G. S. Lucas (d. 1834)

1835 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fall of Babylon (Destruction de Babylone)

James G. S. Lucas (d. 1834)

1833–35 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jerusalem Taken Captive into Babylon

James G. S. Lucas (d. 1834)

November 15, 1845 · Mezzotint and lithographic tone (?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

General Catalogue Venetian Awnings and Blinds

James G. Wilson Corporation (d. 1999)

1906 · Illustrations: photomechanical color process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilson Folding Partitions for Churches, Schools, Y.M.C.A. Buildings, Hotels, Clubs and Other Public Institutions

James G. Wilson Corporation (d. 1999)

20th century · Illustrations: photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Garage Dog

James G. Davis (d. 2016)

1984 · Oil and silver foil on canvas

In copyright

live
The MetSimilar

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2. Read the arithmetic

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