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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    248 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    356 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 285 matching records exist across the two collections.

Results for "James McNeill Whistler, calling card"12 records

Institutions answered newest-first by record, interleaved

James Abbott McNeill Whistler by William Merritt Chase, The Metropolitan Museum of Art

James Abbott McNeill Whistler

William Merritt Chase (d. 1916)

1885 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
James McNeill Whistler, calling card by Anonymous, The Metropolitan Museum of Art

James McNeill Whistler, calling card

Anonymous

ca. 1881–1903 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching with drypoint; after trial proof a (Harrington); after first state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nine Barrow Down

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first (final) state (Harrington); first state of two (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Castle Bridge

Sir Francis Seymour Haden (d. 1910)

1877 · Etching (counterproof); trial proof a (Harrington); second state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Sluice

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first (final) state (Harrington); third state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Seymour Haden

Jean Édouard Lacretelle (d. 1900)

1878 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Village Ford

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with drypoint; first state of two (Harrington); third state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Seymour Haden

Gerald Robinson (d. 1942)

1887 · Mezzotint; first trial proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[James McNeill Whistler]

Carjat et Cie

1880s · Albumen silver print, halftone, copper plate

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Test at Longparish, No. 2

Sir Francis Seymour Haden (d. 1910)

1896 · Mezzotint and etching with drypoint; between trial proof a and b (Harrington); fourth state of four (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rue Morland, Constantine

Caroline Helena Armington (d. 1939)

1912 · Etching and drypoint; fourth state of four

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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