
James Abbott McNeill Whistler
William Merritt Chase (d. 1916)
1885 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 285 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

James Abbott McNeill Whistler
William Merritt Chase (d. 1916)
1885 · Oil on canvas
Cleared · Public Domain
live
James McNeill Whistler, calling card
Anonymous
ca. 1881–1903 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shere Mill Pond, No. 2 (Large Plate)
Sir Francis Seymour Haden (d. 1910)
1860 · Etching with drypoint; after trial proof a (Harrington); after first state of nine (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nine Barrow Down
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; first (final) state (Harrington); first state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Castle Bridge
Sir Francis Seymour Haden (d. 1910)
1877 · Etching (counterproof); trial proof a (Harrington); second state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sluice
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; first (final) state (Harrington); third state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Seymour Haden
Jean Édouard Lacretelle (d. 1900)
1878 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Village Ford
Sir Francis Seymour Haden (d. 1910)
1881 · Etching with drypoint; first state of two (Harrington); third state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Seymour Haden
Gerald Robinson (d. 1942)
1887 · Mezzotint; first trial proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[James McNeill Whistler]
Carjat et Cie
1880s · Albumen silver print, halftone, copper plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Test at Longparish, No. 2
Sir Francis Seymour Haden (d. 1910)
1896 · Mezzotint and etching with drypoint; between trial proof a and b (Harrington); fourth state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rue Morland, Constantine
Caroline Helena Armington (d. 1939)
1912 · Etching and drypoint; fourth state of four
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.