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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    355 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    352 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,202 matching records exist across the two collections.

Results for "Jar for Sweets"12 records

Institutions answered newest-first by record, interleaved

Jar for Sutra Burial (Sankinko) by an unrecorded maker, The Metropolitan Museum of Art

Jar for Sutra Burial (Sankinko)

Unrecorded maker

early 12th century · Stoneware with natural ash glaze (Tokoname ware)

Cleared · Public Domain

live
The MetSimilar
White-Glazed Jar with Hidden Design by an unrecorded maker, The Cleveland Museum of Art

White-Glazed Jar with Hidden Design

Unrecorded maker

1500s–1600s · Ceramic, Porcelain with sweet-white (tianbai; 甜白) glaze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Storage jar (albarello) for mostarda by an unrecorded maker, The Metropolitan Museum of Art

Storage jar (albarello) for mostarda

Unrecorded maker

dated 1543 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Bottle for Sweets by an unrecorded maker, The Metropolitan Museum of Art

Bottle for Sweets

Unrecorded maker

1650 · Clay covered with glaze (Takatori ware)

Cleared · Public Domain

live
The MetSimilar
Nan va Halva (Breads and Sweets) by Muhammad Baha' al-Din al-'Amili, The Metropolitan Museum of Art

Nan va Halva (Breads and Sweets)

Muhammad Baha' al-Din al-'Amili (d. 1621)

ca. 1690 · Ink, opaque watercolor, and gold on paper Binding: leather

Cleared · Public Domain

live
The MetSimilar
Box for Sweets by an unrecorded maker, The Metropolitan Museum of Art

Box for Sweets

Unrecorded maker

ca. 1720 · Porcelain with enamels and gold (Nabeshima ware)

Cleared · Public Domain

live
The MetSimilar
Bottle for Sweets by an unrecorded maker, The Metropolitan Museum of Art

Bottle for Sweets

Unrecorded maker

18th century · Clay covered with streaked glaze (Kiyomizu ware, Zhun type)

Cleared · Public Domain

live
The MetSimilar
Bottle For Sweets by an unrecorded maker, The Metropolitan Museum of Art

Bottle For Sweets

Unrecorded maker

18th century · Clay (Takatori ware)

Cleared · Public Domain

live
The MetSimilar
Jar for Sweets by an unrecorded maker, The Metropolitan Museum of Art

Jar for Sweets

Unrecorded maker

1840 · White porcelain decorated with gold on crackled ground (Awaji ware)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Canopic jar Inscribed for Neferi

Unrecorded maker

ca. 1550–1300 BCE · Pottery, Nile B, red ochre wash, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bottle for Sweets

Eiraku Hozen (d. 1854)

1800 · White biscuit covered with colored glazes over relief (Kairakuen ware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bottle for Sweets

Unrecorded maker

19th century · Clay covered with a finely crackled glaze and decorated in polychrome enamels and gold (Satsuma ware)

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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