Fragment of a bowl with a frieze of bulls in relief
Unrecorded maker
ca. 3300–2900 BCE · Steatite with chlorite
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
342 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
414 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,927 matching records exist across the two collections.
Results for "Jar with a frieze of bulls"12 records
Institutions answered newest-first by record, interleaved
Jar with a frieze of stylized animals
Unrecorded maker
ca. 2500–1900 BCE · Ceramic, paint
Cleared · Public Domain
liveThe MetSimilar
Ostracon with fighting bulls
Unrecorded maker
ca. 1300–1080 BCE · Limestone, paint
Cleared · Public Domain
liveThe MetSimilar
Jar with a frieze of bulls
Unrecorded maker
ca. 8th–7th century BCE · Glazed ceramic
Cleared · Public Domain
liveThe MetSimilar
Jar with winged bulls flanking palmettes
Unrecorded maker
ca. 8th–7th century BCE · Glazed ceramic
Cleared · Public Domain
liveThe MetSimilar
Terracotta neck-amphora (jar)
Paris Painter
ca. 540 BCE · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Fragment of a Frieze with Medallions
Unrecorded maker
6th–8th century · Limestone; carved
Cleared · Public Domain
liveThe MetSimilar
Fragment of a Frieze with Addorsed Birds
Unrecorded maker
12th century · Gypsum plaster; molded, traces of painting
Cleared · Public Domain
liveThe MetSimilar
Fragment of a Frieze with Addorsed Lions
Unrecorded maker
12th century · Gypsum plaster; molded, traces of painting
Cleared · Public Domain
liveThe MetSimilar
Frieze with Sea Monsters
Johann Theodor de Bry (d. 1623)
1580–1600 · Engraving
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flemish Grotesque with a Fantastic Cart pulled by Two Bulls
Cornelis Bos (d. 1556)
ca. 1550–55 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze
George Grant Elmslie (d. 1952)
1916 · Terracotta
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.