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Clarinet in C
Edward Riley (d. 1829)
ca. 1825 · Boxwood, ebony, ivory, brass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
158 ms. The Metropolitan Museum of Art, Collection API (Open Access)
240 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
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Clarinet in C
Edward Riley (d. 1829)
ca. 1825 · Boxwood, ebony, ivory, brass
Cleared · Public Domain
live
Alto saxophone in E-flat
Adolphe (Antoine Joseph) Sax (d. 1894)
ca. 1855 · Brass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album Page: Columbus Circle and Central Harlem, 135th Street Vicinity, Manhattan]
Berenice Abbott (d. 1991)
1929 · Gelatin silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Contrabass saxophone in E flat
Evette-Schaeffer
ca. 1925 · Brass, white metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Archtop Guitar
John D'Angelico (d. 1964)
1932 · Spruce, maple, ebony, steel, celluloid, mother-of-pearl
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jazz Orchestra
Lill Tschudi (d. 2004)
1935 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jazz Orchestra
Lill Tschudi (d. 2004)
1935 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preparatory sketch for Jazz Orchestra (recto and verso)
Lill Tschudi (d. 2004)
ca. 1935 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ellington Session Break
Roy DeCarava (d. 2009)
1954 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.