Plaque with the Holy Women at the Sepulchre
Unrecorded maker
early 10th century · Elephant ivory
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
356 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Results for "Jesus taken"12 records
Institutions answered newest-first by record, interleaved
Christ and the Virgin in the House at Nazareth
Francisco de Zurbarán (d. 1664)
c. 1640 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Scenes from the Life of Christ
Giovanni Baronzio (d. 1349)
mid-1340s · Tempera on canvas, transferred from wood, gold ground
Cleared · Public Domain
liveThe MetSimilar
Christ Taking Leave of His Mother
Albrecht Dürer (d. 1528)
c. 1504–1505 · Print, woodcut
Cleared · CC0
liveCleveland Museum of ArtSimilar
Capital with Angels Holding the Veil of Saint Veronica, with a Column
Unrecorded maker
ca. 1325–75 · Limestone with traces of polychromy
Cleared · Public Domain
liveThe MetSimilar
The Entry into Jerusalem (folio 156 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
Unrecorded maker
1602–4 · Manuscript, Gum tempera, ink, color, and gold on paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Virgin and Child
Claus de Werve (d. 1439)
ca. 1415–19 · Limestone with paint and gilding
Cleared · Public Domain
liveThe MetSimilar
Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pietà (None, Office of the Virgin)
Master of Adélaïde de Savoie
c. 1460–70 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Plaque with the Virgin and Child
Master of the Triptych of Louis XII (d. 1525)
late 15th–early 16th century · Painted enamel, copper
Cleared · Public Domain
liveThe MetSimilar
A View of the Vestibule of Saint Mary at Rome
Georges Francois Blondel (d. 1800)
1766 · Print, mezzotint printed in sepia
Cleared · CC0
liveCleveland Museum of ArtSimilar
Christ and the Woman Taken in Adultery (one of a set of 12 scenes from The Life of Christ)
Jan Rombouts (d. 1535)
ca. 1525–30 · Stained glass
Cleared · Public Domain
liveThe MetSimilar
A View of the Inside of a Church
Georges Francois Blondel (d. 1800)
1766 · Print, mezzotint printed in black
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.