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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    632 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 55 matching records exist across the two collections.

Results for "Jewelry element representing a falcon we"12 records

Institutions answered newest-first by record, interleaved

Necklace with disc beads and amulets by an unrecorded maker, The Metropolitan Museum of Art

Necklace with disc beads and amulets

Unrecorded maker

ca. 1550–1425 BCE · Carnelian, gold, silver, faience, glass, yellow stone, tin

Cleared · Public Domain

live
The MetSimilar
Relief panel by an unrecorded maker, The Metropolitan Museum of Art

Relief panel

Unrecorded maker

ca. 883–859 BCE · Gypsum alabaster

Cleared · Public Domain

live
The MetSimilar
Relief panel by an unrecorded maker, The Metropolitan Museum of Art

Relief panel

Unrecorded maker

ca. 883–859 BCE · Gypsum alabaster

Cleared · Public Domain

live
The MetSimilar
Relief panel by an unrecorded maker, The Metropolitan Museum of Art

Relief panel

Unrecorded maker

ca. 883–859 BCE · Gypsum alabaster

Cleared · Public Domain

live
The MetSimilar
Relief panel by an unrecorded maker, The Metropolitan Museum of Art

Relief panel

Unrecorded maker

ca. 883–859 BCE · Gypsum alabaster

Cleared · Public Domain

live
The MetSimilar
Earflare with ritual procession by Chimú artist(s), The Metropolitan Museum of Art

Earflare with ritual procession

Chimú artist(s)

1350–1470 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Commode à vantaux by David Roentgen, The Metropolitan Museum of Art

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

Cleared · Public Domain

live
The MetSimilar
Brooch by Theodore B. Starr, The Metropolitan Museum of Art

Brooch

Theodore B. Starr (d. 1907)

ca. 1900 · Gold, amethyst, demantoid garnet, and enamel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jewelry element representing a falcon wearing a double crown

Unrecorded maker

ca. 1887–1750 BC · Silver, lapis lazuli, carnelian, turquoise

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bracelet with 4 wedjat eyes, 2 barrel beads, and 1 acacia bead

Unrecorded maker

ca. 1000–945 BCE · Linen, faience, gold, amethyst

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Model No. 283

Steven Arpad (d. 1999)

1939 · leather, metal, wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

My Strength Lies

Wangechi Mutu (d. 9999)

2006 · Ink, acrylic, photomechanically printed cut and pasted paper, contact paper, metallic sequin and glitter on two mylar sheets

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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