Christ and the Woman of Samaria
Benedetto Luti (d. 1724)
1715–20 · Oil on copper
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
856 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 53 matching records exist across the two collections.
Results for "Jewish Woman in Algeria"12 records
Institutions answered newest-first by record, interleaved
Jewish Woman in Algeria
Jean Geiser
c. 1875 · Photograph, albumen print from glass negative
Cleared · CC0
liveCleveland Museum of ArtSimilar
A Jewish Bride in Tangier
Eugène Delacroix (d. 1863)
1833 · Etching; first state of four
Cleared · Public Domain
liveThe MetSimilar
Headdress (beniqa)
Unrecorded maker
1800s · Embroidery, Linen, silk, and metal
Cleared · CC0
liveCleveland Museum of ArtSimilar
Jewish Woman of Algiers Seated on the Ground
Théodore Chassériau (d. 1856)
ca. 1846 · Watercolor over graphite on wove paper (trimmed and laid down on blue wove paper)
Cleared · Public Domain
liveThe MetSimilar
Scene in the Jewish Quarter of Constantine
Théodore Chassériau (d. 1856)
1851 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
![Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/SF2006_112d.jpg)
Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments
Cleared · Public Domain
liveThe MetSimilar
Woman from the French Colonies
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Algerian onyx-marble, bronze, and enamel; white marble socle
Cleared · Public Domain
liveThe MetSimilar
Jewish Woman of Algiers
Charles-Henri-Joseph Cordier (d. 1905)
1862 · Algerian onyx-marble, bronze, gilt bronze, enamel, and amethyst eyes; white marble socle
Cleared · Public Domain
liveThe MetSimilar
![[Studio Portrait: Woman with Straw Basket, Algeria] by Maison Prod'hom, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-15801-159.jpg)
[Studio Portrait: Woman with Straw Basket, Algeria]
Maison Prod'hom (d. 1900)
1860s–70s · Albumen silver print
Cleared · Public Domain
liveThe MetSimilar
Arab Woman
Gustave Boulanger (d. 1888)
1845–88 · Black chalk, blue, yellow and white pastel, shell gold, with graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hebrew Woman (Mulier Hebrea, in Thracia)
Wenceslaus Hollar (d. 1677)
1644 · Etching; first state of two
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.