
Bascinet
Unrecorded maker
ca. 1375–1425 · Steel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
549 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 47 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bascinet
Unrecorded maker
ca. 1375–1425 · Steel
Cleared · Public Domain
live
Embroidered Handkerchief
Unrecorded maker
1800s · Embroidery, linen: embroidery
Cleared · CC0
live
Joan of Arc Imprisoned in Rouen
Pierre Henri Revoil (d. 1842)
1819 · Pen and brown ink, watercolor, and wash on two sheets of laid paper, mounted together on a sheet of laid paper
Cleared · Public Domain
live
Joan of Arc on Horseback
Emmanuel Fremiet (d. 1910)
c. 1889–99 · Drawing, pen and black ink, ink wash and white heightening
Cleared · CC0
live
Joan of Arc
Jules Bastien-Lepage (d. 1884)
1879 · Oil on canvas
Cleared · Public Domain
live
Battle Scene with Armored Figures on Horseback (recto)
Edgar Degas (d. 1917)
1856–60 · Drawing, black crayon
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harper's, May
Edward Penfield (d. 1925)
1896 · Lithograph
In copyright
live
Battle Scene with Armored Figures on Horseback (recto) Two Seated Women (verso)
Edgar Degas (d. 1917)
1856–60 · Drawing, black crayon
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha (d. 1939)
1909 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Forbes Memorial Window
Frederick Wilson (d. 1932)
ca. 1910 · Watercolor, gouache, pen and brown ink, red colored pencil, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The End of the Great War (La Fin de la Grande Guerre), in Le Mot no 13, March 6, 1915
Raoul Dufy (d. 1953)
1915 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Domrémy, the Birthplace of Joan of Arc
Maurice Utrillo (d. 1955)
1935 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.