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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    549 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 47 matching records exist across the two collections.

Results for "Joan of Arc on Horseback"12 records

Institutions answered newest-first by record, interleaved

Bascinet by an unrecorded maker, The Metropolitan Museum of Art

Bascinet

Unrecorded maker

ca. 1375–1425 · Steel

Cleared · Public Domain

live
The MetSimilar
Embroidered Handkerchief by an unrecorded maker, The Cleveland Museum of Art

Embroidered Handkerchief

Unrecorded maker

1800s · Embroidery, linen: embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Joan of Arc Imprisoned in Rouen by Pierre Henri Revoil, The Metropolitan Museum of Art

Joan of Arc Imprisoned in Rouen

Pierre Henri Revoil (d. 1842)

1819 · Pen and brown ink, watercolor, and wash on two sheets of laid paper, mounted together on a sheet of laid paper

Cleared · Public Domain

live
The MetSimilar
Joan of Arc on Horseback by Emmanuel Fremiet, The Cleveland Museum of Art

Joan of Arc on Horseback

Emmanuel Fremiet (d. 1910)

c. 1889–99 · Drawing, pen and black ink, ink wash and white heightening

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Joan of Arc by Jules Bastien-Lepage, The Metropolitan Museum of Art

Joan of Arc

Jules Bastien-Lepage (d. 1884)

1879 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Battle Scene with Armored Figures on Horseback (recto) by Edgar Degas, The Cleveland Museum of Art

Battle Scene with Armored Figures on Horseback (recto)

Edgar Degas (d. 1917)

1856–60 · Drawing, black crayon

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Harper's, May

Edward Penfield (d. 1925)

1896 · Lithograph

In copyright

live
The MetSimilar
Battle Scene with Armored Figures on Horseback (recto) Two Seated Women (verso) by Edgar Degas, The Cleveland Museum of Art

Battle Scene with Armored Figures on Horseback (recto) Two Seated Women (verso)

Edgar Degas (d. 1917)

1856–60 · Drawing, black crayon

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maude Adams (1872–1953) as Joan of Arc

Alphonse Mucha (d. 1939)

1909 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Forbes Memorial Window

Frederick Wilson (d. 1932)

ca. 1910 · Watercolor, gouache, pen and brown ink, red colored pencil, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The End of the Great War (La Fin de la Grande Guerre), in Le Mot no 13, March 6, 1915

Raoul Dufy (d. 1953)

1915 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Domrémy, the Birthplace of Joan of Arc

Maurice Utrillo (d. 1955)

1935 · Oil on canvas

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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