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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    236 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    594 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 336 matching records exist across the two collections.

Results for "John, Duke of Argyll"12 records

Institutions answered newest-first by record, interleaved

Octagonal box with cipher of John Campbell, 2nd Duke of Argyll by James Fraillon, The Metropolitan Museum of Art

Octagonal box with cipher of John Campbell, 2nd Duke of Argyll

James Fraillon (d. 1728)

1716 · Gilded silver

Cleared · Public Domain

live
The MetSimilar
John Churchill, 1st Duke of Marlborough by John Faber, the Elder, The Metropolitan Museum of Art

John Churchill, 1st Duke of Marlborough

John Faber, the Elder (d. 1721)

early 18th century · Pen and ink on vellum

Cleared · Public Domain

live
The MetSimilar
Octagonal box with arms of Henry Somerset-Scudamore, 3rd Duke of Beaufort (1707–1745) by John White, The Metropolitan Museum of Art

Octagonal box with arms of Henry Somerset-Scudamore, 3rd Duke of Beaufort (1707–1745)

John White (d. 1775)

1729 · Gilded silver

Cleared · Public Domain

live
The MetSimilar
John Churchill, 1st Duke of Marlborough (1650–1722) by John Michael Rysbrack, The Metropolitan Museum of Art

John Churchill, 1st Duke of Marlborough (1650–1722)

John Michael Rysbrack (d. 1770)

early to mid-1730s · Carrara marble

Cleared · Public Domain

live
The MetSimilar
Dispersion of the Thimble Rig by John Doyle, The Metropolitan Museum of Art

Dispersion of the Thimble Rig

John Doyle (d. 1868)

July 14, 1834 · Lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Montagu, Duke of Montagu, &cc.

John Faber the Younger (d. 1756)

1731 · Mezzotint with etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Campbell, Duke of Argyle and Greenwich

Jacob Houbraken (d. 1780)

1735 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Churchill, Duke of Marlborough, &c.

John Faber the Younger (d. 1756)

1735 · Mezzotint with etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John, Duke of Argyll

James Watson (d. 1790)

January 15, 1769 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

His Grace, The Duke of Devonshire

John Raphael Smith (d. 1812)

1776 · Mezzotint; third state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

His Grace, The Duke of Devonshire

John Raphael Smith (d. 1812)

1776 · Mezzotint; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colonel Lennox (later Duke of Richmond and Lennox)

John Kay (d. 1826)

1789 · Etching and aquatint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.