
St. John the Baptist Preaching
Gerrit Pietersz. Sweelink (d. 1612)
1593 · Etching; fifth state of six
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
267 ms. The Metropolitan Museum of Art, Collection API (Open Access)
335 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 50 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. John the Baptist Preaching
Gerrit Pietersz. Sweelink (d. 1612)
1593 · Etching; fifth state of six
Cleared · Public Domain
live
An Athlete Stopping a Lion, from "Group of Subjects Drawn From Antiquity"
Anne Claude Philippe de Tubières, comte de Caylus (d. 1765)
1737 · Etching
Cleared · Public Domain
live
John Kay, Drawn and Engraved by Himself (Self Portrait with Cat)
John Kay (d. 1826)
1786 · Etching
Cleared · Public Domain
live
Portraits of Eminent Scotch Characters
John Kay (d. 1826)
1784–1819 · Etching, stipple, aquatint, mezzotint; one watercolor
Cleared · Public Domain
live
A Mill Near Colchester
John Constable (d. 1837)
1833 · Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso
Cleared · Public Domain
live
Pair of Bracelets
John Carlin (d. 1891)
1840 · Gold, watercolor on ivory, hair
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lunardi in His Basket Ready to Ascend
John Kay (d. 1826)
1785 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robert Dundas of Arniston, Lord Advocate of Scotland
John Kay (d. 1826)
1799 · Etching and stipple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shadow and Substance, from "Picture Poesies"
George John Pinwell (d. 1875)
first published 1867, reissued 1874 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
John Singleton Copley, engraved after a Portrait by Himself
Frederick T. Stuart (d. 1913)
1850–1900 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.