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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    745 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Jonathan Pinkney, Jr."12 records

Institutions answered newest-first by record, interleaved

Drunken fisherman by a reed bank by Tang Yin, The Metropolitan Museum of Art

Drunken fisherman by a reed bank

Tang Yin (d. 1524)

early 16th century · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Bamboo and poem by Zhu Lu, The Metropolitan Museum of Art

Bamboo and poem

Zhu Lu (d. 1632)

early 17th century · Folding fan mounted as an album leaf; ink on gold-flecked paper

Cleared · Public Domain

live
The MetSimilar
Portrait of Jonathan Richardson, Jr., the artist's son by Jonathan Richardson Sr., The Metropolitan Museum of Art

Portrait of Jonathan Richardson, Jr., the artist's son

Jonathan Richardson Sr. (d. 1745)

1729 · Black, red and white chalk on blue laid paper

Cleared · Public Domain

live
The MetSimilar
Jonathan Mayhew, D. D. Pastor of the West Church in Boston, New England by Richard Jennys, Jr., The Metropolitan Museum of Art

Jonathan Mayhew, D. D. Pastor of the West Church in Boston, New England

Richard Jennys, Jr. (d. 1801)

1766 · Mezzotint; early state without engraved text

Cleared · Public Domain

live
The MetSimilar
The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment by Paul Revere Jr., The Metropolitan Museum of Art

The Boston Massacre, or, The Bloody Massacre perpetrated in King Street, Boston on March 5, 1770 by a party of the 29th Regiment

Paul Revere Jr. (d. 1818)

1770 · Hand-colored engraving and etching; second state

Cleared · Public Domain

live
The MetSimilar
Teapot Stand by Paul Revere Jr., The Metropolitan Museum of Art

Teapot Stand

Paul Revere Jr. (d. 1818)

1796 · Silver

Cleared · Public Domain

live
The MetSimilar
Jonathan Pinkney, Jr. by James Peale, The Metropolitan Museum of Art

Jonathan Pinkney, Jr.

James Peale (d. 1831)

1798 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Mrs. Jonathan Pinkney, Jr. (Elizabeth Munroe) by James Peale, The Metropolitan Museum of Art

Mrs. Jonathan Pinkney, Jr. (Elizabeth Munroe)

James Peale (d. 1831)

1798 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Jonathan Sturges by Asher Brown Durand, The Metropolitan Museum of Art

Jonathan Sturges

Asher Brown Durand (d. 1886)

ca. 1840 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
[Castle Garden, Battery, New York] by Enoch Wood & Sons, The Metropolitan Museum of Art

[Castle Garden, Battery, New York]

Enoch Wood & Sons (d. 1846)

ca. 1841–ca. 1846 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jonathan Brace, Jr.

Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)

1800 · Engraving and mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Helena de Kay Gilder

Cecilia Beaux (d. 1942)

1911 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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