Joseph Henry of Straffan, Co. Kildare
Pier Leone Ghezzi (d. 1755)
1744–51 · Pen and brown ink, over traces of black chalk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
214 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
370 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 47 matching records exist across the two collections.
Results for "Joseph Henry of Straffan, Co. Kildare"11 records
Institutions answered newest-first by record, interleaved
Tureen, plateau, and cover
Louis-Joseph Lenhendrick (d. 1783)
19th century, after 1769 original · Silver on base metal
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Part of the Birmingham Court, from "Recollections of the Great Exhibition, 1851"
Henry Clark Pidgeon (d. 1880)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Part of the Bradford Court, from "Recollections of the Great Exhibition, 1851"
Henry Clark Pidgeon (d. 1880)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Part of the Russian Court, from "Recollections of the Great Exhibition, 1851"
Henry Clark Pidgeon (d. 1880)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Indian Court and Jewels, from "Recollections of the Great Exhibition, 1851"
Henry Clark Pidgeon (d. 1880)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the West Nave, from "Recollections of the Great Exhibition, 1851"
Henry Clark Pidgeon (d. 1880)
1851 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway, New York with Park View at Center
Tallis & Co. (d. 1863)
1854 · Steel engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broken Vows
William Henry Simmons (d. 1882)
1859 · Mixed media engraving; early state, proof before letters
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Funny Leaves for Younger Branches and King Nut-Cracker, or the Dream of Poor Reinhold, A Fairy Tale for Children
Alfred Henry Forrester [Alfred Crowquill] (d. 1872)
1852, ca. 1860 · Illustrations: etching, hand colored
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Turner Gallery. A Series of One Hundred and Twenty Engravings...
Joseph Mallord William Turner (d. 1851)
1879–80 · Steel engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.