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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    181 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 273 matching records exist across the two collections.

Results for "Joys of the Fisherman"12 records

Institutions answered newest-first by record, interleaved

Joys of the Fisherman by Wang Fu, The Metropolitan Museum of Art

Joys of the Fisherman

Wang Fu (d. 1416)

ca. 1410 · Handscroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
River Village:  Fisherman's Joy by Zhao Mengfu, The Cleveland Museum of Art

River Village: Fisherman's Joy

Zhao Mengfu (d. 1322)

c. 1302–3 · Painting, Fan painting mounted as album leaf; ink and color on silk

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Young Fisherman by Henry Inman, The Metropolitan Museum of Art

The Young Fisherman

Henry Inman (d. 1846)

ca. 1829 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Fisherman's Joy by Qian Gu, The Cleveland Museum of Art

Fisherman's Joy

Qian Gu (d. 1578)

1572 · Painting, Handscroll; ink and light color on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Returning Fisherman

Anthonie Waterloo (d. 1690)

17th century · Etching; third state

In copyright

live
The MetSimilar
Album of Landscapes by Wang Gai, The Cleveland Museum of Art

Album of Landscapes

Wang Gai (d. 1705)

1677 · Painting, Album of eight leaves; ink or ink and light color on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fisherman

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint; first (final) state (Harrington); fifth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fisherman

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint; trial proof a (Harrington); first state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fisherman

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint (counterproof); trial proof c (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Joys of Motherhood (Mutter Glück)

Rudolf Kalvach (d. 1932)

1907 · Color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Banks Fisherman

Gordon Grant (d. 1962)

1936–37 · Aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Fisherman

Alfred Levitt (d. 2000)

1946 · Ink and gouache with graphite on paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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