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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    381 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    427 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Judas Entering the Garden of Gethsemane"12 records

Institutions answered newest-first by record, interleaved

Manuscript Leaf with the Agony in the Garden and Betrayal of Christ, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Agony in the Garden and Betrayal of Christ, from a Royal Psalter

Unrecorded maker

ca. 1270 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Judas Entering the Garden of Gethsemane to Betray Christ by an unrecorded maker, The Metropolitan Museum of Art

Judas Entering the Garden of Gethsemane to Betray Christ

Unrecorded maker

15th century · Limewood with paint and gilding

Cleared · Public Domain

live
The MetSimilar
Christ in the Garden of Gethsemane by an unrecorded maker, The Metropolitan Museum of Art

Christ in the Garden of Gethsemane

Unrecorded maker

1520–30 · Silver, lampworked glass, enamel, gold

Cleared · Public Domain

live
The MetSimilar
Christ in the Garden of Gethsemane (Matthew 26:36-46) by Anonymous, German, 16th century, The Metropolitan Museum of Art

Christ in the Garden of Gethsemane (Matthew 26:36-46)

Anonymous, German, 16th century (d. 1600)

ca. 1600 · Pen and black ink over underdrawing in gray and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Christ in the Garden of Gethsemane by Paul Troger, The Metropolitan Museum of Art

Christ in the Garden of Gethsemane

Paul Troger (d. 1762)

1712–62 · Pen and black ink, heightened with white gouache on gray paper. White oxidized.

Cleared · Public Domain

live
The MetSimilar
Christ in the Garden of Gethsemane by Gaspare Diziani, The Metropolitan Museum of Art

Christ in the Garden of Gethsemane

Gaspare Diziani (d. 1767)

18th century · Pen and brown ink, brush and gray wash, over red chalk

Cleared · Public Domain

live
The MetSimilar
Christ in the Garden of Gethsemane by Johann Friedrich Overbeck, The Metropolitan Museum of Art

Christ in the Garden of Gethsemane

Johann Friedrich Overbeck (d. 1869)

1848 · Black fabricated crayon (possibly early conté crayon) with touches of brown fabricated crayon and thin brown watercolor wash; framing line in black fabricated crayon

Cleared · Public Domain

live
The MetSimilar
[Garden of Gethsemane and the Tomb of the Virgin, Jerusalem] by John Anthony, The Metropolitan Museum of Art

[Garden of Gethsemane and the Tomb of the Virgin, Jerusalem]

John Anthony (d. 1901)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Garden of Gethsemane and View of Jerusalem] by John Anthony, The Metropolitan Museum of Art

[Garden of Gethsemane and View of Jerusalem]

John Anthony (d. 1901)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Christ in the Garden of Gethsemane by Robert Walter Weir, The Metropolitan Museum of Art

Christ in the Garden of Gethsemane

Robert Walter Weir (d. 1889)

1889 · Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Christ in the Garden of Gethsemane, from The Passion Series

Zacharias Dolendo (d. 1604)

1596–98 · Engraving; first state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jardin de Gethsemani

Unknown

1870s · Albumen silver print from glass negative

In copyright

live
The MetSimilar

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2. Read the arithmetic

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