Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    251 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    414 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 83 matching records exist across the two collections.

Results for "Julius Caesar (from the Heroes Tapestrie"8 records

Institutions answered newest-first by record, interleaved

Julius Caesar (from the Heroes Tapestries) by an unrecorded maker, The Metropolitan Museum of Art

Julius Caesar (from the Heroes Tapestries)

Unrecorded maker

ca. 1400–1410 · Wool warp, wool wefts

Cleared · Public Domain

live
The MetSimilar
Julius Caesar by Colin Nouailher, The Metropolitan Museum of Art

Julius Caesar

Colin Nouailher (d. 1571)

probably ca. 1541 · Painted enamel on copper, partly gilt

Cleared · Public Domain

live
The MetSimilar
Pharmacy jar with subjects from The Campaigns of Julius Caesar by Patanazzi Family, The Metropolitan Museum of Art

Pharmacy jar with subjects from The Campaigns of Julius Caesar

Patanazzi Family (d. 1650)

1580–81 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Sheet 9: Julius Caesar in his horse-drawn chariot, from "The Triumph of Julius Caesar" by Andrea Andreani, The Metropolitan Museum of Art

Sheet 9: Julius Caesar in his horse-drawn chariot, from "The Triumph of Julius Caesar"

Andrea Andreani (d. 1629)

1599 · Hand-colored woodcut

Cleared · Public Domain

live
The MetSimilar
Title page, from "The Triumph of Julius Caesar" by Andrea Andreani, The Metropolitan Museum of Art

Title page, from "The Triumph of Julius Caesar"

Andrea Andreani (d. 1629)

1599 · Chiaroscuro woodcut from three blocks in gray-green ink

Cleared · Public Domain

live
The MetSimilar
The Murder of Julius Caesar (Iulius Caesar Veneris beneficio in Cometam mutatur), plate 150 from Ovid's "Metamorphoses" by Antonio Tempesta, The Metropolitan Museum of Art

The Murder of Julius Caesar (Iulius Caesar Veneris beneficio in Cometam mutatur), plate 150 from Ovid's "Metamorphoses"

Antonio Tempesta (d. 1630)

1606 · Etching

Cleared · Public Domain

live
The MetSimilar
Julius Caesar, from Leaders series (N222) issued by Kinney Bros. by Kinney Brothers Tobacco Company, The Metropolitan Museum of Art

Julius Caesar, from Leaders series (N222) issued by Kinney Bros.

Kinney Brothers Tobacco Company (d. 2011)

1888 · Commercial color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Julius Caesar, from the "Nine Worthies"

Nicolaes de Bruyn (d. 1656)

1590–1656 · Engraving; with border b

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.