Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    191 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    469 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Juno with Her Peacock, after the fresco"12 records

Institutions answered newest-first by record, interleaved

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth by Marco Dente, The Metropolitan Museum of Art

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth

Marco Dente (d. 1527)

ca. 1515–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth by Marco Dente, The Metropolitan Museum of Art

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth

Marco Dente (d. 1527)

ca. 1515–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Jupiter and Io (recto); sketch of a male figure stabbing himself in the chest (verso) by Francesco Salviati (Francesco de' Rossi), The Metropolitan Museum of Art

Jupiter and Io (recto); sketch of a male figure stabbing himself in the chest (verso)

Francesco Salviati (Francesco de' Rossi) (d. 1563)

mid-16th century · Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk (recto); pen and gray ink (verso)

Cleared · Public Domain

live
The MetSimilar
Juno and the peacock by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Juno and the peacock

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

late 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
The Martyrdom of Saint Cecilia (Cartoon for a Fresco) by Domenichino (Domenico Zampieri), The Metropolitan Museum of Art

The Martyrdom of Saint Cecilia (Cartoon for a Fresco)

Domenichino (Domenico Zampieri) (d. 1641)

1612–14 · Charcoal highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar
Realm of Juno by Wenceslaus Hollar, The Metropolitan Museum of Art

Realm of Juno

Wenceslaus Hollar (d. 1677)

1646 · Etching, only state

Cleared · Public Domain

live
The MetSimilar
The birth of the Virgin; woman seated with an infant in her lap, numerous women surrounding her, angels above, after Reni by Etienne Picart, The Metropolitan Museum of Art

The birth of the Virgin; woman seated with an infant in her lap, numerous women surrounding her, angels above, after Reni

Etienne Picart (d. 1721)

1677 · Engraving

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Juno (chenet) (one of a pair) by Alessandro Algardi, The Metropolitan Museum of Art

Andiron with figure of Juno (chenet) (one of a pair)

Alessandro Algardi (d. 1654)

late 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Juno, copy from a suite of ornament designs with grotesques and deities

Etienne Delaune (d. 1583)

before 1559 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Juno, from a suite of ornament designs with grotesques and deities

Etienne Delaune (d. 1583)

before 1559 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 4: Psyche with Juno and Ceres at left with a peacock below, a putto with a sword and a shield at center, and Venus on her chariot drawn by doves at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina

Sir Nicolas Dorigny (d. 1746)

1693 · Etching in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Juno with Her Peacock, after the fresco in the Sala dell'Olimpo of the Palazzo Trevisan, Murano, plate 23 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)

Antonio Maria Zanetti II (d. 1778)

1760 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.