
Jupiter and Antiope
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
427 ms. The Metropolitan Museum of Art, Collection API (Open Access)
395 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 363 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Jupiter and Antiope
Pinturicchio (d. 1513)
ca. 1509 · Fresco, transferred to canvas and attached to wood panels
Cleared · Public Domain
live
Jupiter and Antiope
Pierre Audouin (d. 1822)
c. 1801 · Print, etching
Cleared · CC0
live
Jupiter and Antiope
Antonio Fantuzzi (d. 1545)
1540–45 · Etching
Cleared · Public Domain
live
Venus and a Satyr
Ignaz Elhafen (d. 1715)
c. 1700 · Sculpture, ivory
Cleared · CC0
live
Jupiter and Antiope
Léon Davent (d. 1556)
ca. 1540–45 · Etching
Cleared · Public Domain
live
Jupiter and Antiope
Master FG (d. 1560)
1582 · Engraving
Cleared · Public Domain
live
Jupiter and Antiope
Master FG (d. 1560)
1582 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 45b: Venus, Cupid and a Satyr
Annibale Carracci (d. 1609)
1592 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venus and Satyr (Jupiter and Antiope?)
Annibale Carracci (d. 1609)
ca. 1592 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jupiter and Antiope (Les amours de Jupiter et d'Antiope)
René Boyvin (d. 1598)
1600 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 78: Jupiter and Antiope, with the nymph asleep along the bottom, Jupiter as a satyr at right pulling her sheet away, an eagle in the background
Willem Basse (d. 1672)
ca. 1628–48 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jupiter and Antiope
Paul Ponce Antoine Robert-de-Seri (d. 1733)
1723 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.