
Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
250 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 46 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
live
Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
live
Female figure
Chupícuaro artist(s)
400–100 BCE · Ceramic, pigment
Cleared · Public Domain
live
Female Figure
Chupícuaro artist(s)
400 – 100 BCE · Ceramic, pigment
Cleared · Public Domain
live
Standing Figure
Unrecorded maker
3rd century BCE–1st century CE · Ceramic
Cleared · Public Domain
live
The Wood Sawyer
Charles E. Weir (d. 1845)
1842 · Oil on board
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Leaning Tower and Other Stories
Katherine Anne Porter
1944
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Number 319
Anne Ryan (d. 1954)
1949 · Cut and torn pasted colored and printed papers, fabrics, gold metal foil, and plant fiber on paper, mounted on black paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Katherine Anne Porter, Writer, New York City
Richard Avedon (d. 2004)
June 2, 1958 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Slow Angle Walk (Beckett Walk)
Bruce Nauman (d. 9999)
1968 · Single-channel digital video, transferred from video tape, black-and-white, sound, 60 min.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Number
Katherine Porter (d. 2024)
1986–87 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.