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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    377 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    539 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 108 matching records exist across the two collections.

Results for "Kensington Gardens, No. 2 (Large Plate)"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kensington Gardens, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; first state of two (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar
Kensington Gardens, No. 2 (Large Plate) by Francis Seymour Haden, The Cleveland Museum of Art

Kensington Gardens, No. 2 (Large Plate)

Francis Seymour Haden (d. 1910)

1860 · Print, etching and drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kensington Gardens, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; second state of two (Harrington); third state of three (Schneiderman)

In copyright

live
The MetSimilar
Kensington Gardens, No. 2 (The Larger Plate) by Francis Seymour Haden, The Cleveland Museum of Art

Kensington Gardens, No. 2 (The Larger Plate)

Francis Seymour Haden (d. 1910)

1860 · Print, etching with drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching with drypoint; first (final) state (Harrington); fourth state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching; second state of two (Harrington); sixth state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shere Mill Pond, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching with drypoint; after trial proof a (Harrington); after first state of nine (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 14

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 15

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 2

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 4

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Collection "Décors et Couleurs" Album No. 2, Planche 5

Jean Burkhalter

[ca. 1930] · Pochoir

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.